A few weeks ago, I looked at a selection of somewhat subtle garden ornamentation, understated even. Returning to the topic today, it is some more colourful statements that have caught my attention.
1) The box with its flat planes of colour is by Coromandel-resident artist Michael Smither and has found its permanent home at Puketarata Garden near Hawera. It has echoes of a child’s play house but the simplicity is deceptive. So too is the placement. It becomes the absolute centre of attention in the middle ground but is also successful in drawing the eye to the large landscape beyond.
2) In a similar vein, the whimsical pavilion created by garden owner, Clive Higgie at Paloma Garden near Whanganui makes an undeniable statement as a focal point in an otherwise natural environment. The reflection is an integral part of the picture. As with the Smither box, it is the combination of a vibrant creation with thoughtful placement which makes this a successful installation. What appears to be a blue ceramic ball topping the roof is arguably the best use I have seen of one of these mass produced decorative items.
3) The freestanding, two dimensional yellow cow was on temporary display in our garden, the work of Joep from Arttoi (www.arttoi.co.nz) so we won’t mention the placement. The gentleman in the very purple jersey posed so willingly, adding a certain ambience, I felt. The cow may or may not be to your personal taste (I would have preferred it without the map of New Zealand). The purple jersey, the man’s wife told me, had been found in a skip and became an instant favourite for the wearer. Each to their own.
4) At the same temporary installation of Joep’s work, the stainless steel sculptures were beautifully executed and caught my fancy. The reflective qualities of the highly polished stainless steel were a great deal more subtle than a garden mirror. While there is a tendency to put this type of work in a hard-edged, minimalist, modern garden, I admit I was surprised by how well they fitted in to our own setting which is anything but that. We placed them in positions with relatively plain backgrounds where they could star and the reflections made it a two way interaction with their surroundings.
5) While not keen on reproduction classical statuary in a New Zealand garden context, these modern interpretations made me smile. In a very family-oriented garden, they fitted thematically. The frozen moment in time captured with the balance of their poses gave the contrast of tension with the subtle placement against the nikau palms. I could see these ageing gracefully down the decades.
6) When out and about garden visiting in spring and I could not help but notice a plethora of parking meters as garden ornaments. I am sure this was a result of the market being flooded with old meters in this particular area, which had moved to an electronic sensor parking system. The customised triple meter installation was perhaps more witty and striking than those single ones which had simply been placed as a relic of the past decade.
First printed in the Waikato Times and reprinted here with their permission.