Tag Archives: Mark and Abbie Jury

The times, they are a-demandin’ change

Currently a bit forlorn, but give it a few months and it will look very different

The rose garden has gone. Gorn forever. Henceforth this area will be known as the sunken garden. Because the centrepiece is the sunken garden area – Felix and Mimosa’s DIY colonial Lutyens effort, as I have described it. It is all fashioned from granite, marble and brick. Mark once water blasted it and it came up an alarming shade of white.

An undated photo but best guess is around the mid 1950s. The marble lining is still white

I, too, could get it looking pretty but it took a lot of work and it didn’t stay looking pretty for long enough to warrant the effort

It was the rose garden because it used to house Mimosa’s old rose collection. I think I can recall it as being fantastically opulent, voluptuous and romantic with the air hanging heavy with scent – but only for a couple of weeks in spring. The rest of the time, it could look pretty scruffy. By the time I came onto the scene here in the eighties, it was already past its peak.  This particular garden has probably had more attention lavished upon it in the last 30 years than any other area. Major makeovers, not just regular maintenance. At least four major makeovers that I can recall doing myself. And no matter how hard I tried, it looked okay in winter, really pretty for a few weeks in spring but scruffy in summer and autumn. I could not keep it looking good all year and it finally reached the point where I avoided looking closely, preferring to skirt around the outside rather than walking through it.

We have a date on this photo – 1961

Felix, down  to his woollen singlet but still wearing his tweed hat putting in the stone millwheel table and benches. The wheel is the inner, turning centre of the mill, used for grinding papa to make a low quality brick on a neighbouring  farm. Felix traded two sacks of potatoes for the wheel. The date of this photo must be mid to late 1950s

It is obvious what the problem is when I look at the old photos. When Mimosa started and had the area at its peak in the late 1950s and 1960s, conditions were very different. It was open and sunny and the plants grew without competition. In the 70 years since she started, the backbone rimu trees have doubled in size and their root systems have grown to match. Half the area is now always bone dry, sucked out of nutrients and plants have to compete with the rimu roots. The area has also become enclosed, very sheltered and the sunshine hours have been reduced by a whole range of perimeter plants.

I wrote about this area back in March  when I was into full-on stripping out. It would have been easier had I been composting the plants but I recycled most of them. It would also have been easier had I not planted quite so many bulbs through it over the years. Clearing the area was a major operation and has generated many, many more square metres of ground cover than I started with to use elsewhere. There is much to be said for digging and dividing. The good picking roses have been relocated to the vegetable garden where it does not matter that they get black spot and suffer from defoliation. I can at least pick the flowers. We do not have a good climate for roses.

Finally, the last plants were gone at the weekend and the area was bare. Lloyd, our extraordinarily handy and obliging man about the garden, has moved in extra topsoil and raked and levelled to get it ready for sowing in grass. The eight camellias and two maples will stay and be shaped into gnarly, character, feature plants. We normally avoid growing plants in mown lawn areas and I know I will have to hand-trim the grass around the trunks but I am willing to do that. We do not like the weed-sprayed brown look of lank grass around trunks and I have no desire for the tidy, suburban look of encasing each trunk in a tidy round concrete circle planted with pansies. For those of you who want to know what the camellias are, two are the gorgeous species C. yuhsienensis, two are Mark’s ‘Pearly Cascade’ (C. pitardii hybrid) and the four standards are one of Mark’s hybrids that we never released but we refer to as ‘Pink Poppet’.

I am anticipating that once the grass grows we will have something far more sculptural to look at. And that seems a more appropriate look for the next era of this garden. Gardeners must look forward, not try forever to recapture the recalled magic moments of the past.

Again, this must be 1950s – the planting of the azalea bed that provides the far boundary to this garden, butting up to the rimu trees

Match the two horizontal branches in the preceding image to how they look this very morn. After 60 years, the trees have more or less doubled in size

The same Kurume azaleas as they look today, this time viewed looking from the other direction, underplanted with cyclamen. 

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The autumn camellias

Camellia sasanqua Crimson King in prime position

When Mark returned home to Tikorangi in 1980 bringing me and our first baby bump, the name Jury was synonymous with camellias. These days Jury = magnolias, but not back then. There is a whole chapter in the family history that is headed ‘Camellias’ but it is largely in the past now. Changing fashion, changing focus and the dreaded camellia petal blight has seen to that.

But every autumn, as the sasanquas come into flower we both derive huge delight, particularly from the Camellia Crimson King by the old mill wheel, which is just out from our back door beside the driveway. It is a picture of grace and charm.

Crimson King rests more on its merits of form and position than the beauty of individual blooms

Sasanquas are the unsung heroes of the camellia family, seen mostly as hedging plants, so utility rather than glorious. But if they are allowed to mature as specimens and gently shaped down the years, they stand on their own merits. Mark declared yesterday that it is the autumn flowering camellias that interest him now, not the late winter and spring varieties. For these autumn ones do not get petal blight whereas the later varieties are now a mere shadow of their former selves, faced by the extreme ravages wrought upon their blooms by blight. Our camellia trip to China in 2016 had us concluding that our mild, humid climate with high rainfall means that we suffer worse from petal blight in Taranaki than pretty much anywhere else, really. It is nowhere near as bad in dry climates.

The history of camellias from the middle of last century onwards has some parallels to the history of tulips – all about show and showy blooms. So it was predicated on the quest for the new – extending the boundaries of flower form, size and colour, prizing breakthroughs even when the results were more novelty than meritorious. Camellia societies had enormous flower shows where the staging of individual show blooms was the focus. It didn’t have much, if anything, to do with garden performance let alone longevity as garden plants. Sasanquas didn’t fit this show bench mould. They flowered too early in the season, individual blooms are often quite small, lacking rigid, defined form and falling apart when picked.

But fashions and conditions change and these days it is the softer look of the Japanese camellia family member, the sasanquas, that makes us stop and take notice more than the later flowering japonicas and hybrids on which the earlier family reputation was forged. The light airiness and grace of the sasanquas fits our style of gardening far better than the solid, chunkiness of many of the later varieties and the autumn flowers serve as another marker of the change of season.

The earliest of the sasanquas here – all named varieties

I did a walk around to see how many different blooms I could pick but it is still a little early in the season and some have yet to open. Some plants we leave entirely to their own devices, some we will clean up the canopy from time to time -to take out dead wood and create an umbrella effect, two we clip tightly once a year to a cloud pruned form. With their small leaves, the sasanquas clip well. It just pays to do it soon after they have made their new growth after flowering. Leave it until late spring and you will be clipping off all the flower buds set for next autumn.

Camellia Mine No Yuki

It takes a few decades of growth to get sufficient size to shape as we shape ‘Elfin Rose’ and ‘Mine No Yuki’ but these specimens now function as distinctive shapes within the garden all year round, rather than melding into the background as most camellias do when not in bloom.

The end of the long, hot summer is nigh

Belladonnas – a roadside flower for us

Summer continues here with temperatures in the mid to late mid twenties during the day, and often not dropping much below 17 at night. That is celsius, of course. With our near-constant high humidity, it feels hotter. Dry heat is easier to live in. But we are not complaining. Last summer never really arrived and we would have been lucky to have a single day where temperatures reached 25 or 26, rather than the three months so far this year.

Our belladonnas range from pure white through pretty pastel pink to sugar candy pinks and all shades between

What is interesting is that while the temperatures haven’t really dropped, the garden is starting to tell us that autumn is coming. The belladonnas are already past their peak, Cyclamen hederifolium is in full bloom  as is the tiny, dainty autumn snowflake, Leucojum autumnalis. Moraea polystachya has started its blooming marathon.Even the first nerine has opened and I spotted a flower on an autumn flowering camellia – C. microphylla. Haemanthus coccineus is out and the exquisite Rhodophiala bifida have already been and almost gone, their lovely trumpet blooms touched with gold dust now withering away for another year.

Cyclamen hederafolium seed down happily for us now

Some plants are triggered into growth or blooming by temperature, some by seasonal rain (we can do the South African autumn bulbs so well because we get summer rain, even in a drought year such as this has been) and some are triggered by day length. While our weather conditions are still indubitably summer, the day length is shortening and these plants are programmed to respond.

We don’t get sharp seasonal changes because our temperature has quite a small range from both summer to winter and day to night. It will be another three months before the trees start to colour. But the garden is coming out of its summer hiatus and entering autumn, whether we are ready or not.

Stachys Bella Grigio is giving up the ghost. Whiffing off, as we say.

Some plants just like to confound you. I wrote earlier about Stachys ‘Bella Grigio’, the startling white, felted variety that was so happily ensconced in a new garden. Booming away, even. It was setting so many offshoots that I thought I would be able to carpet many square metres by the end of the season. Well, it was an ‘upanddieonyou’ after all. It has been upping and dying like mad in the last weeks. Otherwise known as ‘whiffing off’ here.

I dug up a couple of wilting plants to see what was going on. They are dying from the top down. Their roots are fine. As an aside, if you are puzzled by why a plant is clearly dying, basically they die either bottom up or top down so it is always interesting to carry out an autopsy. Each of these plants was carrying 30 or more offshoots. I took off the ones with roots and have tried replanting them and I thinned out the offsets which had not yet established their own roots because it looked a bit as if the plants were smothering themselves to death in their desire to reproduce. There was no sign of insect infestation.

“It’s probably climatic,” Mark said. His thinking is that we are too humid and it has been particularly so this summer, whereas that felted white foliage is usually indicative of alpine plants. I think it is varietal. I have heard too many stories from others who have experienced specimens of this plant thriving, established and growing well before suddenly keeling over and dying. I cleaned up two plants and replanted the offsets out of curiosity. If I have to do this every year to keep these plants alive, then I am afraid I will decide very soon that it simply is not worth the effort.

We have mown the meadow for the season. Well, Lloyd has. With our special sickle bar mower, imported from Germany. We are still learning how to best manage the meadow in our conditions and Mark thinks that we are leaving the mowing too late and that it would be best done soon after Christmas for the first mow with a follow up in autumn. Maybe next year.

Mark has just declared that the sickle bar mower is otherwise known as the primary herbivore here. He has been reading about eco-systems and wondering what we could be introducing to NZ, given that our primary herbivore, the moa, is now extinct.

You can tell our climate is mild. We have begonias as a roadside hedge.

Requiem for a tree

Mark and Dudley inspect

I may have been a little premature in my post this morning that expressed relief that we had escaped so lightly from ex-tropical Cyclone Gita. We are still discovering damage but nothing to eclipse the mighty fallen gum tree on the neighbour’s farm.

Mark climbed down into the hole to give some sense of scale to the uprooted root ball

We know some of the history of these trees because they were planted by Mark’s great grandfather back in the 1870s. It seems likely that they were part of government-supplied seed or plants to trial alternative timber options for this recently settled colony. The early pioneers had already felled most of the accessible mighty kauri trees. We have a few gum trees, Pinus muricata and radiata dating from the same time, along with our remarkable rimu trees. He was a tree planter, was Thomas Jury, and this land had already been cleared of its native tawa when he took ownership.

Still standing

It isn’t clear why this tree fell. It was of a similar size and stature to the left hand tree and in a sheltered position. The winds were very strong but it is not as if these eucalypts have dense canopies of foliage which act as a sail in the wind. But there is a sense of sadness to see a mighty tree lying on the ground.

It must be said that the sadness to see a bit of family history gone is tinged with relief that this one is not our problem to clean up. It will be no mean feat chainsawing up this monster of twisted hard wood, even if the yield will be a mountain of good firewood.

Beautiful bark on many of the eucalyptus species

Colour themes for gardens – the single colour choice

The primary colours, planted in stripes at Auckland Botanic Gardens

We are still talking colour theory at great length here. In great detail. In part this is driven by the start of the new year of gardening conversation with Tony Murrell on Radio Live’s Home and Garden Show. Tune in around 7.45am on Sunday if you want to listen live. Both Tony and I like to clarify our thoughts before we go on air and for me, that often means extended conversations with Mark, whom I have been known to call my in-house advisor or expert. This week’s conversations have been around the relatively modern idea of gardens themed on a single colour.

If you think of colours, basically a monochromatic garden is either reds, yellows or blues, whites or maybe green or black. What they all have in common is that green is regarded as colour neutral in a tightly colour-controlled garden. So whichever colour you choose, it is plus green. White, however, is not colour neutral in a colour-themed garden.

I have nothing more to say about white gardens that I have not said already. Except to reiterate that the most effective white gardens that I have seen are comprised of heavy flowering white perennials, sometimes mixed with annuals or biennials – so summer gardens at their peak. For a list of previous posts on white gardens, skip to the end.

The ‘black’ garden in the village of Giverny. Need I say more?

Black gardens? Way better in theory than in practice and even then it will still be a novelty garden (you should be able to hear the disdain in my voice). I have only ever seen one and that was a public planting in the village of Giverny. It was underwhelming. I wonder if they just didn’t have the black ophiopogon (mondo grass) because it was all black pansies, dark ajuga and dark foliaged shrubs. Besides the fact that it seems extremely unlikely that black ever lifted anybody’s spirits or brought joy to their day, most plants that are described as black are in fact very deep burgundy. Leave it at the theory stage, is my advice.

I recently read an opinion that it is easier to manage a red garden than either blue or yellow. I beg to differ. And I think that comes back to the colour wheel and the role of white.

If you do a blue garden, the blues on the yellow side of the spectrum will be green-toned and therefore fit into the blue and green colour range. Those closer to red will throw to purple which sits perfectly happily alongside the blue and green tones. Add some white and you get pastel shades – pale blues, lilacs and lavenders and they all sit harmoniously in that blue colour palette.

The blue border at Sissingurst some years ago

I have seen two blue borders. The first was at Sissinghurst where we liked it much more than the famous white garden. The second was at Parham House in Sussex and it had been freshly renovated and was lovely. I am of the view that you can never have too much blue in a garden but that is personal taste.

The blue and yellow borders at Parham House

A similar scenario sits with a yellow garden. Head to the blue side and it is in the green shades. Head to the red side and it introduces orange. Add white and it is simply a paler hue of the same colour. I have only seen one example of an all yellow garden which may be a reflection on the unfashionable status of yellow and orange at this time in history. It was okay. Not stunning but fine and done well at Parham House again.

A random sampling of red foliage and blooms

Red is different. Pure reds are rare. Most lean either to the blue side which gives the purple and burgundy hues or to yellow which gives orange. Add white and you get a totally different colour – pink. There is no way I can see pinks as ‘pale red’. Then there are the many reds that are really closer to brown. I am not a fan of brown flowers, personally.

The red borders at Hidcote Manor Garden

I have seen two red borders – the classic red border at Hidcote and Alan Trott’s red border at his garden near Ashburton. Both were mixed borders and red foliaged shrubs mostly lean to the burgundy shades. That dominance of burgundy, even with splashes of scarlet, can seem quite sombre to my eyes. It comes down to taste.

Similarly, all green gardens can seem a bit gloomy to me, but I am writing this on a grey, rainy day. I can’t complain because we need the rain. Our rain deficit this summer is such that we are still an official drought area, but when I look out the window, the green does not look restful so much as sombre. To me, it is bold colour that lifts such scenes.

I am not convinced that it is as easy as some folks think to plant a monochromatic garden. At least not one of a high standard horticulturally and visually. I think it is easier to go to a two-colour garden (+ green, of course) but more of that next time. However, should you still hanker for a single coloured garden, I have one bit advice gleaned from looking at gardens created by some excellent horticulturists and skilled gardeners. Don’t be too slavish in your dedication to a single colour. Sometimes a flash of another colour can lift the whole scene. A splash of bright pink in a blue border maybe. Or a spire of blue blooms in a yellow garden. How  about the bright orange bloom of a canna lily with burgundy foliage in a red border?

Earlier posts on white gardens:

White gardens for the new age

Shades of white in the world of flower gardens 

White frou frou

The perils of the monochromatic colour scheme in gardening 

 

 

 

 

 

We be diggers here.

Rain after the drought

It is raining here which is a relief, for once. North Taranaki, where we live, is not known for droughts so over two months without significant rain was heading to critical territory. Mark was worrying about fire potential because we have chosen to leave grazing pasture long and also in the meadow with all its very dry material. Taranaki is better known for flooding than fire.

We have been lucky to have fairly gentle rain to soften the ground first. The problem with drought-hardened ground is that torrential rain just flows across it like a sheet of water, without being absorbed. It has been interesting looking at the absorption of the rain so far. Where the ground is compacted, yesterday’s rain had only soaked the top centimetre or so. But the areas of garden that are extremely well cultivated and friable have absorbed the water right down.

We are diggers here and still like to work the soil. I have always been a bit suspicious that the current craze for no-dig gardening might have more to do with people not wanting to exert themselves on the end of a spade or shovel. I am particularly dubious about those who use the death toll of worms cut by the spade as an excuse not to dig when all the while, they will sit down to a dinner of tasty steak. Chances are that it was more traumatic for the beef beast, lamb, pig or even chicken to be brought to the dining table than for the occasional worm that had its tail cut off or met its end for the digging of the garden.

The other reason I often read is that digging should be avoided because it ‘destroys the structure of the soil’. Certainly you don’t want to be bringing the substrata and clay layers to the top, but you can dig without doing that.

Rotary hoeing one of the new borders to break up heavily compacted ground

Mark has always dug his vegetable gardens, on the principle that vegetables need to be able to get their roots out as easily and quickly as possible in order to grow well. We have applied the same principle to the new gardens we are making. They are on ground that had been heavily compacted over the years, covered by weed mat and nursery plants for about three decades with every centimetre tramped over repeatedly by heavy-footed humans. Mark rotary hoed it for me first. I then raked and contoured the beds, digging yet again when it came to planting. We mulched some of it after planting but ran out of both compost and wood mulch so some areas missed out.

In the time since, I have gone over and over the bare surfaces with my little Wolf-Garten cultivator, scuffing off the germinating weeds. The thing about thick layers of mulch is that they suppress germination but do nothing to kill the dormant seeds that can last a very long time in the ground. I like to think that every round I do that dislodges germinating weeds is another rash of unwanted seeds dealt to. It should save time and effort in the long term. Mark has been saying in encouraging terms that the layer of loose soil on top that I am constantly cultivating acts as something of a mulch layer, protecting the deeper layers from drying out so quickly.

Left to right: my excellent Joseph Bentley border spade with its oak handle, Mark’s prized Planet Junior that he uses to cultivate the soils in his vegetable patches and the smart Wolf-Garten cultivator

The rains have also demonstrated clearly that the very well cultivated and friable areas have benefited the most with their capacity to absorb far more moisture. We will remain diggers here in areas where we are growing perennials, biennials and vegetables and some of the areas with bulbs. Established trees and shrubs do not benefit from having the ground beneath cultivated, but many other plants will reward you with increased vigour and improved performance.

Treat yourself to a decent spade, is my advice.

Earlier related posts include ‘The answer, as they say, lies in the soil’ on the importance of getting your soils right for healthy gardens and ‘Raised beds and to dig or not to dig, that is the question’ which I wrote before it even occurred to me that digging has the added benefit of enabling the ground to absorb a great deal more precipitation.

As a postscript, I googled ‘diggers’ and came up with this Wikipedia entry. “The Diggers were a group of Protestant in England, sometimes seen as forerunners of modern anarchism and also associated with agrarian socialism and Georgism.” Not that we are Protestant. Nor do we see ourselves as radicals, let alone anarchists but we have some sympathy for those early socialist principles and a belief in a more egalitarian society. Diggers we will remain.

A gardening year in retrospect. 2017

Sunset in Camembert. I am not joking . There is a village of that name in Normandy and I took this photo on a day in late June when the temperature hit 40 celsius. We nearly melted. The cheese did melt.

In all my years of garden writing, I am not sure I have ever looked back on a year just past. Looked forward, yes. Often. But reflecting back – not in the written word until now. Has 2017 been particularly distinctive in gardening terms? Not in extreme terms, but it has certainly been a very full gardening year.

The best gardening book of my year, without a doubt, was the collected columns of contemporary English garden writer, Tim Richardson. Titled You Should Have Been Here Last Week, it was full of thoughtful and opinionated gems and is a book that is worth going back to read again. For me, it eclipsed the gentle collection of Dan Pearson’s gardening columns, ‘Natural Selection’ which had its own charm but became a little heavy going after a while. I have not seen any New Zealand gardening books to recommend. But I can whisper that I have at least started work on my own, after a year or two’s procrastination.

New Zealand is left high and dry when it comes to TV gardening too and we keep going back to Monty Don and BBC Gardeners’ World. We were not instant Monty fans but have grown to really enjoy his delight in his own garden and his measured approach. I say that even after discovering he has two paid gardeners to assist behind the scenes. Gardeners’ World has been around since the beginning of time (or 1968, so coming up to 50 years) and still delivers quality gardening advice and insights in a low-key style that we appreciate.

While on media matters, a personal highlight has been getting to know Auckland garden designer and current garden media celeb, Tony Murrell. We have a weekly conversation on his Home and Garden Show on Radio Live but even more extended conversations off air. It is a rare privilege to work with someone who is a complete professional in his public life, full of enthusiasm, ideas and delight which carries over into his life off the airwaves too.

Breakfast in Tivoli. Bought in the local market and taken back to our AirBnB

We live in the country so I like to travel and to seek experiences and ideas beyond our self contained little patch of this world. Mark, not so much. In fact, he only participates in my advance planning in the most desultory of ways. But when I crank him out of the country, he is a marvellous companion who focuses 110% on the experience. Our trip to Italy, Normandy and England this year was a real highlight for us. It was my third trip to Italy, Mark’s second and we both fell in love with the place in a way we have not before. Mark credits AirBnB which put us right in the heart of the old town of Tivoli and gave us a far more personal connection to the locals than staying in a hotel can ever do. And while getting to Sermoneta was a traumatic experience that might have driven less staunch couples to divorce , staying there was a delight. Seeing the incidental wildflowers at Villa Adriana, the wonderful old olive grove and experiencing the classic architectural lines of the golden mean visible there were truly memorable, even in the heat.

Garden highlights were Le Jardin Plume in Normandy, the pond and the simplicity of the plantings in front of the villa at La Torrecchia (which, despite being in Italy, is early Dan Pearson work) and the privilege of being able to explore and experience the famed Ninfa Garden all alone and at our own pace. All confirmed for us that our gardening hearts lie with the gentle naturalism of more contemporary styles that is so evident in the approaches taken by many modern European and British garden designers. We have a long way to go in New Zealand in learning to garden so that we walk more lightly upon this fragile environment of ours and see beauty in Nature and her serendipitous ways.

Wildside Garden – still a major highlight for us second time round

When we reached England, we felt we were on more familiar ground. Because we travel so far and pack a great deal in to what are generally just three week excursions, we don’t often go back to see gardens that we have visited before. But on this occasion, we chose to go back to both Bury Court and Wildside and neither disappointed. These are two of the most exciting private gardens we have visited – gardens which delight at the time, stay in the memory and are a rich source of inspiration for how we garden at home. On this trip, we were also privileged to see a private garden that is the work of Dan Pearson and, on the day we visited, as close to a perfect domestic garden as we have ever seen. We can learn from every garden but sometimes it is a revelation to learn from the work of somebody who is at the top of their field right now.

The unexpected highlight of the English section was looking at the work coming out from Sheffield University landscape department and Nigel Dunnett in particular which we saw at the Barbican, at Olympic Park and at Trentham Court. Do a net search on Pictorial Meadows if you want to see more of the commercial work coming out of Sheffield. It is glorious.

The Sheffield style is at the extreme end of naturalistic gardening with lower inputs, low intervention, working in cooperation with the environment and ensuring that plantings enhance eco systems rather than imposing them upon the natural environment. But they generally lack strong design elements which are what give definition and longevity in a gardening environment.

Our meadow where we have reached some level of sustainability and consistency

At home, we have been focused on bringing together elements of the new naturalism style, meadows, sustainable practice and soft-edged romanticism that appeal to us but within a stronger design framework and working in an established garden with a fair swag of notable, long-term trees. Our meadow is progressing beyond the experimental stage as we have refined the low-input techniques we use to manage it and it is a real joy to us. The next step is to look for plants that will enrich the diversity and add visual interest beyond the spring peak. Mark finds the addition of larger flowered, dominant perennials or annuals out of step with the natural look so we are assessing resilient small-flowered options that we can naturalise without creating an environmental disaster of weed potential.

Not our garden. I have this filed under ‘meadow mistakes’ – using an overbred hybrid in a natural setting

Mark’s gardening efforts this year have been dominated by food production and seeing to what point he can keep us self-sufficient in a vegetable-rich diet. It takes a lot of time, effort, skill and space to be this productive and even then the grains and tropical fruits remain on the shopping list. We could, I guess, go without the tropical fruits but we are not that purist.

I have never grown a vegetable in my life and have no plans to start. But I have had a great deal of active pleasure, starting the plantings in our newest garden area which we currently call the Court Garden – on account of the large green space in the middle of the design which currently looks like a somewhat unkempt tennis court but is destined to become a meadow through the seasons in the style of Nigel Dunnett’s Sheffield School plantings. This is former nursery, maybe an acre or more in area.

Mark recently described this new garden area to a neighbour as our last lunge – a major development that we need to do before we get any older and the hard physical labour gets beyond us. In a mature garden, even a very large one such as we have, it is a different experience to be faced with bare space, full sun and open conditions. Years have gone into its planning and it will still take more for it reach the glory we plan. We have also factored in how we integrate this new and different area into the established garden we already have.

One of the double borders in our new area in its first spring

The court garden, started from a blank canvas

It is a development that we simply could not have done without the accumulated experience we have gained through our gardening lives. It also draws heavily on the inspiration and observations from our gardening travels. And it is possible because of the expertise gained in years of nursery work and Mark’s foresight in setting aside plants and growing them on in field conditions so that we could bring in the framework trees and shrubs as an advanced grade without having to spend money on buying them. We could not have afforded to do it if we had to buy the plants because it takes a lot to furnish a space as large as this.

I have loved developing parts of this area this year and seeing it start to come together as it grows. Mark, too, has been delighted by my efforts because he had not found the time or motivation to start the detailed filling in of spaces himself. I am delighted that he is delighted with my efforts because, in gardening terms, I will always defer to him as the senior partner here.  Will there be an end result? There will come a point when we feel ready to show this new garden to other people but gardening to us is always an active process with no plans for an end result. If we found no pleasure in the process, we would lose interest very quickly.

Finally, on a practical level, I recently raved about my new mini cultivator. It is terrific and I use it often. We have never gone in for all the whistles and bells of garden implements so we are VERY late to the scene with the Niwashi weeder which was a Christmas gift to me. And now, all I can say is, how did I manage so long without one?