Tikorangi notes: THAT yucca, wretched geissorhiza and the close of magnolia season.

Yucca whipplei finally flowered after maybe 20 years

Yucca whipplei finally flowered after maybe 20 years

The state of our Yucca whipplei is such an ongoing saga here it even has its own folder in my photo files. I wrote about its impending move back in early 2013 when we had cut the concrete paving in preparation for its move. But it was still in situ this time last year when, after a period of getting on for 20 years, it actually flowered. We were thrilled. As the flower spike edged past the first story of the house, it was a well-documented blooming.

IMG_5269But other needs were always more urgent so the moving of the yucca had not taken place. Nor had the windows to what is our TV room been cleaned for many years. But yesterday the day came, forced by the arrival of the glaziers to install retro-fitted double glazing in our wooden window sashes. It was not an easy task. Mark had thought he could probably chainsaw the top off but the fibrous nature of the spent foliage merely jammed the chainsaw. At this point it is in two pieces. The top will be replanted on the sunny bank in the north garden where it will likely recover. The base, with a new rosette well-formed already, will be dug out and also relocated. It will, I tell you it will. I like the garden view out of the windows which is now visible again and while cleaning windows is not my favourite activity, I do like to be able to do it when necessary.

IMG_5272As far as we know, this is Yucca whipplei, also known as Hesperoyucca whipplei, chaparral yucca, Our Lord’s candle, Spanish bayonet, Quixote yucca or foothill yucca. So Wikipedia tells me. Apparently the most common name is Our Lord’s candle. It being native to southern America from California through to Mexico, it clearly felt right at home in the bone dry conditions of the house border beneath the eves. In the meantime, Our Lord’s candle is no long alight at our place.

Pretty it may be in bloom, but I have spent countless hours trying to eradicate this plant, as Felix Jury did before me

Pretty it may be in bloom, but I have spent countless hours trying to eradicate this plant, as Felix Jury did before me

IMG_5004IMG_5005I have been forced to extreme remedial action in the rockery in the Battle of the Geissorhiza. Such a pretty weed and so dreadfully invasive. Each bulb is surrounded by many little baby bulbs that peel  off as soon as you look at them, ready to grow into the future. In the worst affected pockets of rockery, I am lifting everything and washing the roots to make sure no dreaded geissorhiza bulbs are lurking in there hiding. Then I dig out all the soil and replace it with clean soil. I was surprised that one pocket generates almost a full barrow of soil. The contaminated soil is being dumped in the deepest, darkest shade where I hope nothing will germinate and if it does, as a last resort it can be sprayed. This somewhat extreme and labour intensive treatment should, I hope,  get me closer to victory and the extermination of this pretty but hideously invasive bulb.

Shun Geissorhiza aspera. It belongs to the same group as highly invasive oxalis or allium-type of Pesky Weeds Masquerading as Pretty Plants. You have been warned.

Magnolia Serene

Magnolia Serene

Magnolia Serene is opening. This always heralds the end of the deciduous magnolia season for us as it is the last of the major magnolias here to bloom. Alas, a magnolia season that was progressing magnificently was dealt a near death blow two weeks ago when we had a huge wind which lasted more than 24 hours. We are used to wind here – it is the west coast of the Windy Isles after all (New Zealand being marooned in expanses of vast ocean all round means that we are a windy country) but this was more than an ordinary wind. Reminiscent, in fact, of the worst winds we can remember which came as Cyclone Bola 27 years ago. Fortunately the damage was minor though the debris was great. And the later flowering magnolias were something of a casualty. Because Serene was still in bud, it came through unscathed but the rest of the plants in bloom had their season cut short.

The industrial chic garden

IMG_4503I visited a most interesting private garden in Auckland earlier this month. Industrial, urban chic, I would call it.

I wrote about hedging ideas after my visit to the Kelliher Estate on Puketutu Island but I didn’t name the gardener at the time because I hadn’t asked him if he wanted to be identified. It is Grahame Dawson, and as I walked around the Kelliher garden, I asked my companion what Grahame’s own garden was like. What made me curious was that his approach to gardening at the Kelliher showed a flair that is unusual in a public garden (or a trust garden) and I felt sure that I was looking at somebody who had large garden instincts. My companion took me in to meet Grahame in his home garden.

It was very different to the Kelliher Estate garden and I loved it. It is not that I want to emulate it myself. I just thought it was very different, quirky, characterful, self-indulgent even, but not naff and goodness, that is a fine line to tread.
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I loved the hanging curtain of tillandsia growing through weighted chains (top photo) and the disco ball echoes of the rounded mounds (threaded through hanging baskets suspended upside down). Yes there was a lot of tillandsia – three main types in the hanging mode, I think Grahame said. Tillandsias, or air plants as they are often referred to, have a huge a family of well over 700 different species and are in the bromeliad group. These ones contributed to the curious phenomenon of a predominantly grey garden. I was viewing it on a grey, cool spring day and I didn’t find it in the least bit dreary, in case you are wondering.
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I liked the bold juxtaposition of the almost stark seating area to one side, with the plantings opposite on the site.
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The undercover display of specialist orchids were arrayed in the manner of an auricula theatre and that is natural light casting an ethereal glow in the mid afternoon light.
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The pool resembled a shrine to my eyes. The little figure, Grahame told me, is Narcissus.
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For those who want ideas, Grahame has a natural flair for managing multiple pots without looking messy or cottage-y. The simplest of terracotta pots painted grey made the row a feature with or without the orchid selection they house.
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Back at the Kelliher Garden, I had photographed the pots along the front terrace. Alternating square and round pots, he had filled them all with Aloe plicatilis. The very simplicity gave it a formality while softening the scene with thoroughly practical foliage.

People visit gardens for many reasons and goodness knows, with two decades of opening our own garden behind us, we have heard many of those reasons over the years. Too often, a garden is judged – and I use the word ‘judged’ deliberately – on whether the visitor can imagine themselves owning the garden. I didn’t want to own Grahame’s garden – industrial chic is not my style – but it is rare to come across a place that I would describe as genuinely original, combining both wit and skill. This was one.

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Plant collector: the curious native Muehlenbeckia astonii

An unusual clipped specimen, M. astonii

An unusual clipped specimen, M. astonii

The proper name of this plant is not easy to spell – Muehlenbeckia astonii – but I have never even heard it referred to by its alleged common names of ‘shrubby tororaro’ or ‘wiggy-wig bush’. Not that common, apparently. The plantings in a prominent position at Auckland Botanic Gardens have caught my eye before. I am guessing they are planning to extend the clipping up another layer. In this interim phase. Mark chuckled and suggested they resemble Kim Jong-Un. The hair, dear Reader, the hair.

This is another of our native plants now threatened by loss of habitat. These days it is limited to the eastern coastal lowlands, stretching from Wairarapa to Banks Peninsula but it may have been more widespread in the days before extensive land development. Fortunately, it makes a good garden specimen and it is the ability to integrate into gardens that has saved critically endangered plants like Tecomanthe speciosa, Pennantia baylisiana and the kakabeak (clianthus).

Divaricating plants are not unusual in this country – divaricating being that tight criss crossing of the branches, often combined with tiny leaves. The ever-handy internet advances two botanical theories for the prevalence of divaricating plants here. I like the first theory which is that plants evolved this way to protect themselves from moa grazing on them. The second theory is that the plants have adapted to withstand harsh climatic conditions, particularly wind and dryness found in exposed coastal conditions and maybe hard frosts.
Muehlenbeckia astonii (7)
M. astonii will be deciduous in hard conditions but retains some of its tiny leaves in Auckland. The orange and red tones in the wiry zigzag branches add interest. It clips well and is apparently not difficult to strike from cutting or raise from fresh seed. We don’t have M. astonii in our garden but we do grow a comparable tiny-leafed divaricating coprosma which has a natural form of mounding layers that is often described as cloud form.

Muehlenbeckia astonii, featuring prominently at Auckland Botanic Gardens

Muehlenbeckia astonii, featuring prominently at Auckland Botanic Gardens

When saying it with flowers becomes a political statement

Red Peak, floral clock style

Red Peak, floral clock style

NZ_flag_design_Red_Peak_by_Aaron_Dustin.svgIt may be a surprise to you, as it was to me, to learn that “say it with flowers” did not orginate as Interflora’s slogan but was in fact a 1934 British musical film. Faced by the many memes associated with the Red Peak flag in New Zealand, I felt I could reinterpret it with flowers. First up was the one in the style of floral clocks, perhaps.

Version 2 in wild cherry blossom and anemone

Version 2 in wild cherry blossom and anemone

It is not that I am totally enamoured of the Red Peak flag option. It is that I do not appreciate being given a choice of four designs for our proposed new national ensign that are a silver fern, a silver fern, a silver fern and a close-up of a fern frond (for that is what the black and white koru represents). Given that our Prime Minister has made no secret of his strong preference for a silver fern, I can’t help but feel that crowd-sourcing the designs and then going through a $28 million “public consultation” and not one, but two referendums, all to achieve what looks like a pre-determined outcome is a bit of a have, really. Over 10 000 designs submitted and it came down to three silver ferns and a close-up of an unfurling frond? I feel short-changed, as apparently the majority of New Zealanders do at this stage of the campaign.

NZ_flag_design_Silver_Fern_(Red,_White_&_Blue)_by_Kyle_Lockwood.svg NZ_flag_design_Silver_Fern_(Black,_White_&_Blue)_by_Kyle_Lockwood.svg NZ_flag_design_White_&_Black_Fern_by_Alofi_Kanter.svg NZ_flag_design_Koru_(Black)_by_Andrew_Fyfe.svg

Red Peak, rendered in Hippeastrum aulicum and wild cherry blossom.

Red Peak, rendered in Hippeastrum aulicum and wild cherry blossom.

So I am backing Red Peak as an alternative option to be added to the referendum just to give an alternative choice to the fern logos. In my mind, after doing the floral clock styled Red Peak, I mentally envisaged the Japanese-influenced Ikebana style, stripped bare and exquisitely simple, capturing the essence of the design only. Alas my skills in floral art are non-existent and I quickly realised that translating the mental image to reality was well beyond my capabilities.

Red Peak in Narcissus Thalia and what I think is a tritonia, not  a sparaxis

Red Peak in Narcissus Thalia and what I think is a tritonia, not a sparaxis

downloadWhen all is said and done, we’d have had a lot more fun with the wild card, Lazer Kiwi though I feel this may be better rendered in the style of a vegetable animal, such as our children used to create for the annual Show Day at primary school.

Tikorangi notes: hellebores (again), fallen tree (another one), the daffodil show and Heart of Darkness

Hellebore Anna's Pink

Hellebore Anna’s Pink

In the garden, I have been slogging my way along the hellebore border removing pretty well all the old plants and replacing them with Mark’s hybrids which he has been cultivating in the nursery. I mentioned how much the border has gone back in an earlier post. What is interesting is how many clumps I am digging up which have only one or two leaves but below ground is a chunky mat of dormant eyes. I say dormant, not blind, because it appears that if these were divided up and put into good conditions, most eyes would sprout into a fresh plant. It must be what happens to hellebores over time and this border has not had a major rework in 30 years.

A multitude of dormant growing tips on hellebores with only a leaf or two showing above

A multitude of dormant growing points on hellebores with only a leaf or two showing above

I watched a debate on a UK gardening site about whether hellebore seedlings are worth saving and, as an aside, references to never digging and dividing anything. Hmmm… all I can say from our experience is that self-sown Helleborus orientalis seedlings are not worth keeping. There are huge numbers of them, for these are promiscuous plants, and the vast majority will revert to murky colours. I am deadheading as I replant and will continue to deadhead hellebores because we don’t want the seedlings. The chances of a brilliant self-sown seedling are remote whereas controlled crosses are hugely more successful. Mark has been working to get strains which hold their flowers up high and are sometimes outward facing which obviously improves the display.

As an aside, it appears that the new releases from the UK – Anna’s Red and Anna’s Pink – are both sterile which is to their credit. Not only do the blooms last longer, but this eliminates the need to deadhead and weed out seedlings. They are worth buying.

When it comes to digging and dividing perennials, I would comment that you can only get so far if you refuse to dig and divide. Over time the thugs take over and eventually you get to a point where even they start to go back. Feeding alone is not enough. It is the below ground root competition that takes its toll. You can go a decade or two without digging and dividing anything, depending on the plants you are using, but the treasures are likely to have given up the ghost by then. There will come a time when you will look around and think “this used to look so much better”. We think about ten years is all we can expect of the hellebore border before it will need major work again but an easy-care nine years is good.
IMG_4575The latest natural garden feature arrived last week as the dead Pinus radiata we refer to as Glenys’s tree snapped off, fortunately leaving the lower few metres intact so we hope Glenys the Gecko will remain in residence. As is our practice, we will clean up the paths and damage but leave the body of the trunk in situ and garden around it.
IMG_4579I am pretty sure that the next tree in the row is developing a bigger lean and will likely fall sooner rather than later, but Mark is unconvinced. I like to remind him that I was right last time and those were smaller, younger trees. This leaning tower of Pinus radiata is probably 45 metres tall so we have to wait for nature to take its course.
IMG_4792We went to the North Island daffodil show last Saturday. There is a larger album of photos posted on our Garden Facebook page. There is no denying that our personal tastes lie with the less celebrated dwarf and miniature varieties which I have been systematically photographing this season. We are all about garden varieties, not show blooms. But like any genus of show blooms, the breeding directions are unveiled in a major display – lots of split coronas, colour combinations and pinks still coming through.

I decided we should be sourcing the dwarf hybrid named ‘Rapture’, the white N. cantabricus (which looks very similar to a bulbocodium) and I really would like some N. poeticus even if we have to go to poeticus hybrids. But, I was as much delighted by the whole event. The stalls! The competitions! I think these were the result of the involvement of the local branch of the horticultural society. Truly, I did not realise that the craft of crocheting edges to pictorial tea towels is not only alive and well, but also a competitive activity.
IMG_4790Nothing to do with gardening, but I still have a strong mental image of an acquaintance many years ago, earnestly crocheting aqua coloured edges to white face cloths. “I think it is nice for guests to have special face cloths,” she said with a high degree of self-satisfaction. I looked around her home – a large and cavernous turn-of-last-century villa which had been cut in pieces and relocated but not restored. The walls were scrim, the facilities and decor still more or less original. It was truly grim. And I thought to myself, you poor woman. You think guests won’t notice the surrounds if they have new face cloths? It was all so evocative of Kurtz in Joseph Conrad’s ‘Heart of Darkness’, where the rituals of civilisation are all that keeps the chaotic universe at bay and without those, what is left is “the horror, the horror”. It had the makings of a short story, but instead I became a garden writer.

Next Tikorangi Notes may bring you an insight into the lost art of waxing camellias which, I have only recently found, is not a lost art at all but almost certainly sits alongside pictorial tea towels with hand crocheted edges.

And because we are at Peak Magnolia, here is Milky Way

And because we are at Peak Magnolia, here is Milky Way