Plant Collector: Hellebore Anna’s Red

We are very impressed by Hellebore 'Anna's Red'

We are very impressed by Hellebore ‘Anna’s Red’

It takes a special plant in a garden centre to make us think immediately that we must have it there and then. This new hellebore is one.

There are three stand-out features. It holds its flowers well above the foliage and they are outward facing so displayed well. The foliage is beautifully marbled and interesting in itself. The flower colour is an attractive magenta-burgundy but without brown tones that often mute those colours.

I did a search to see if I could find the breeding but all the internet tells me is that it is one of the “Rodney Davey marbled group”, Davey being the breeder. Fair enough – it is the work of a dedicated hellebore specialist and if he does not wish to disclose the breeding, that is his right. Looking at it, our guess is that it probably has quite a bit of H. niger in it, in which case to get this strong colour into that species is a real triumph. It is the way the flower is displayed that makes us think of niger (some of you may grow “White Magic” with its upward-facing flowers). While there are similar burgundy colours in the H. orientalis group, none of them display their flowers as well and we have yet to see these combined with such attractive, marbled foliage.

The breeder lives in the south of England and the plant was named for prominent garden writer, Anna Pavord. Fortunately, due to the wonders of micropagation (tissue culture), the plant has been multiplied hugely and is available everywhere that I can see, in both this country and overseas. It is worth having and no, I was not given a plant to review. We truly did spot it in a garden centre and buy it.

First published in the Waikato Times and reprinted here with their permission.

Garden Lore

“A little studied negligence is becoming to a garden.”

Eleanor Perenyi Green Thoughts (1981)

Neither spray damaged nor sickly - just hard to use well

Neither spray damaged nor sickly – just hard to use well

Modern heucheras

Having used Plant Collector this week to whole heartedly recommend a new plant, the same can not be said for the yellow and orange heucheras which you will also see in almost every garden centre. I have long raised my eyebrows at these and photographed some clumps on our recent garden ambles, garnering agreement from a number of other gardeners that not all heucheras are equal and some may be best avoided.

Heucheras are North American leafy perennials and have proven most amenable to the whims of the hybridists. Not all are a triumph in terms of garden performance and appearance. The lime green form looks attractive and useful but a retailer told me it is not as reliable as the others. This discouraged me because, despite considerable efforts, I have never been very successful growing the handsome deep burgundy foliaged ones. I have, however, admired them in others’ gardens where they make an attractive show.

It is just those yellow and orange autumn tones. Novelty plants, I call them. Plant them out and how do they look? Spray damaged, is Mark’s verdict. Sickly, I say. I have never seen those particular coloured heucheras used in a way that is attractive. Be cautious of novelties. I am reserving judgement on the coral shades at this stage.

Just don’t do what I saw one gardener do – buy one of each colour and plant them in a ring around the base of a deciduous tree. Not only will they suffer from root competition, it is the look of a novice gardener.

Great nursery plants - the autumn-toned heucheras look so interesting in the garden centre but I have yet to see them perform as garden plants

Great nursery plants – the autumn-toned heucheras look so interesting in the garden centre but I have yet to see them perform as garden plants

First published in the Waikato Times and reprinted here with their permission.

Modern directions in perennial planting patterns

Hampstead Heath1) Confining planting to geometric blocks (Mondrian-style perhaps, for students of art), has been evident in show gardens in recent years but has now become mainstream. This is a new planting on Hampstead Heath, done by the public authorities. The sharp lines will blur over time. It is a shame about the buxus blight that is already evident. A different clipped shrub may have been a better choice.
Wisley2) Piet Oudolf’s rivers of colour in the modern borders at Wisley have been controversial since they were planted in 2000, but we think they are glorious. They also take much less labour to maintain than the traditional twin herbaceous borders. Each ribbon of colour has about four different plants in it and the colours will change through the season. You need to be able to look up or look down on this type of planting (or both). Viewed on the flat, you would not see the diagonal effect.
A river effect3) Less ambitious may be to snake a river of one perennial through clumping plantings. In this case it is an erigeron daisy but I have already done it in my own garden with irises (the blue sibirican ones and also Higo iris). A river effect alters the dynamic of big, round clumps of plants or can give some visual unity to an otherwise disorganised planting.
Tom Stuart Smith4) Big generous clumps of perennial plants, each standing in its own space, are one of the hallmarks of the New Perennials Style that has been widely adopted in modern UK and northern European gardens. This is a private garden, the work of British designer, Tom Stuart Smith. It takes a big area to carry out well. Each plant is occupying an area at least a metre across, sometimes more. Clipped shrubs act as punctuation points.
Dorset garden5) The classic cottage garden mix and match style is harder to manage than it looks if you are determined to keep both a succession of flowers and good coverage – to avoid bare patches – throughout the warmer months. This is in a Dorset garden owned by a good gardener. In lesser hands, it can become a hodge podge with bare bits and small plants of potted colour added in an effort to fill in the gaps.
Gresgarth, near Lancaster6) The classic twin herbaceous borders adapted to a more personalised, private garden (in this case Gresgarth, near Lancaster) by breaking up the expanse into shorter sections using clipped hedging in battlement style and strategic topiary. In line with modern expectations, planting is now deliberately colour-toned and separate sections allow the colour palettes to be kept apart. The effect is deliberately refined.
007 - Copy7) Grasses! Grasses! More grasses! And many meadows, let alone prairie plantings. No discussion about modern perennials is complete with referencing these major trends. These deserve attention in greater detail and are part of a bigger picture of focussing on more environmentally friendly approaches to gardening.

First published in the Waikato Times and reprinted here with their permission.

Garden Lore

Sir Frank Crisp’s eccentricities were reflected in his garden. In 1905 Lady Ottoline Morrell visited Friar Park where she found Crisp, dressed in frock coat and top hat, proudly showing his visitors around the garden, which had ‘Sham Swiss mountains and passes decorated by china chamois’. Twenty-three thousand tons of rock were used in the construction of this garden which accommodated an extensive collection of alpine and other rock garden plants.

Alastair Forsyth Yesterday’s Gardens (1983)

graft incompatibility
Graft incompatibility

The odd growth on this tree is a fine example of what is called graft incompatibility. Many trees and some shrubs are grafted or budded – in other words the roots of a different cultivar are used to grow the desired top. There are many reasons to do this. Sometimes dwarfing stock is used to keep fruit trees – particularly apples and citrus – small enough for home gardens. Often a plant will have special characteristics – maybe variegated foliage, bigger flowers, weeping habit – but it cannot be raised true from seed and getting it to root from cuttings may be difficult, too slow or impossible. In that case, it is budded or grafted.

A closely related plant has to be used as root stock and as a customer you are reliant on the propagator or nursery knowing what root stocks to use. If they make a poor choice you can end up with this effect over time. It will be a weak point on the trunk. Where the top and bottom are fully compatible, it is hard to pick the join although it always pays to keep low growth removed in case it is the root stock coming away. It can out-compete the grafted top if left to its own devices.

This is a lime tree, or linden on a London street.

First published in the Waikato Times and reprinted here with their permission.

Plant Collector: Carpenteria californica

Carpenteria californica - but in Yorkshire, not Tikorangi

Carpenteria californica – but in Yorkshire, not Tikorangi

This is my photograph but not taken in our garden. We saw a number of carpenterias flowering in English summer gardens, none lovelier than this specimen in Yorkshire. We tried growing it here when Top Trees Nursery near Clive were selling plants in this country. Ours did not thrive and eventually gave up the ghost. It’s failure to thrive will in part have been that it hails from California and is better adapted to a Mediterranean climate – dry summers and cool, dry winters.

There is only one species of carpenteria, which is a large, evergreen shrub. However it is a relative to philadelphus which we do succeed in growing here. In the wild, it occurs in a very limited geographic area and is apparently endangered but it is so widely grown as a garden plant that its survival is guaranteed. Unlike philadelphus, there is no fragrance.

The common name is a tree anemone and those lovely big white blooms with golden stamens are indeed an anemone form.

First published in the Waikato Times and reprinted here with their permission.