Tag Archives: Abbie Jury

The Sequel – a second coming for the Tui NZ Fruit Garden

The first version to the left, the revised edition to the right.

The first version to the left, the revised edition to the right.

After due consideration, Mark's verdict was an emphatic thumbs down

After due consideration, Mark's verdict was an emphatic thumbs down

I am married to a patient and kind man but he has been looking ever more exasperated over the last two weeks. I put The Tui NZ Fruit Garden in front of him for comment because his experience with growing fruit and nuts is greater. As he dipped in and out of various chapters, he was finally moved to exclaim that he could not fathom why Tui, Tony Murrell and Rachel Vogan would put their names to this book and give it a credibility that it does not deserve.

If this seems slightly familiar to you, dear Reader, that is not a surprise. This book is the sequel – the revised edition, it tells us on the frontispiece (but not the cover). The first version was the subject of a piece I wrote this time last year, backed up by a lead story on the front page of our newspaper and picked up extensively by national media. There was a little problem with plagiarism by the author, Sally Cameron. Well, quite a big problem really – in fact an enormous one. The publishers, Penguin, pulled the book from sale immediately, mere days after it had been released. Nobody associated with the book ever commented on that withdrawal from sale so the general assumption was it had all died a natural death. No. Little did we know, they were preparing for a second coming. And here it is. It looks the same. The author is the same. The cover has been recycled. So is it the same?

I think the plagiarised sections have gone. I didn’t do an exhaustive analysis but I would guess that they have been quite thorough, given there are legal issues to be considered. But the plagiarism was only half the problem. In reviewing the original version, I was equally critical of the woeful lack of experience and knowledge by the author. And the rewrite has highlighted this even more. At least when the author was cutting and pasting information from the internet, she was generally getting it from credible sources even if they were from overseas. Now that it is in her own words, it often plumbs new depths. “A Chilean guava, pomegranate or feijoa bush can offer hedging that is just as effective as a Buxus.” Really? Shame the pomegranate is deciduous and if you clip your feijoa like you clip your buxus, you will be taking off all next year’s fruiting tips. Or, when writing about grapevines needing support: “This can be shaped or manipulated at leisure to provide a sculptured habitat for the vines to drape from.”

Even worse is the advice on protecting your grapes: “Broad pieces of netting with holes wide enough to let the sun in but keeping, bugs, diseases and birds out help let the fruit ripen nicely on the vine.” Leaving aside the description of broad pieces, since when has any netting kept out diseases and what fine grade of mesh would you need to keep out bugs? Wasps don’t even rate a mention but they are one of the biggest problems, in our experience. The sort of information that the reader needed and deserved to be told is that Albany Surprise is an excellent selection for marginal and humid conditions. Because it has a tougher skin, if you can net the birds out then the wasps can’t pierce the skin and get in to the fruit.

At least lychees, mangoes and pineapples have been consigned to a brief two page spread at the end of the book, under the title of “Fruit not commonly grown in New Zealand owing to climatic restrictions” but it is hard to understand why carambola or star fruit, which is equally marginal, remains with a four page spread of its own in the main body of the text. Maybe the author wanted to show off her recipe for pickled carambola? Proper cranberries (Vaccinium macrocarpum) should have been grouped with the lychees and mangoes too. Equally hard to understand is why tomatoes are included in a book about fruit gardens. Yes, botanically they are a fruit but every home gardener and cook regards them as a vegetable and they are grown in the veg garden, not the orchard. Doing a cut and paste of the tomato chapter from the companion volume, the Tui NZ Vegetable Garden, could be described as having a bob each way but it is unnecessary padding in a book about growing fruit. Some of the other inclusions are odd – the medlar, introduced to this country by the early settlers, is a fairly decorative tree but not worth the space in the orchard as a fruiting tree. Given that you have to wait until the small fruit are nearly rotten before you eat them, why would you bother when we can grow apples and pears so well? Peanuts are a novelty crop grown in the vegetable garden and limited to the hottest and driest parts of the country. But don’t expect too much of that sort of information in this book. In most cases, the author lacks the experience to know what is important and to sift the information accordingly.

Take kiwifruit as an example. For starters, where can you grow them? According to this book, “The kiwifruit is an appropriate crop wherever citrus fruits, peaches and almonds are successful, though the leaves and flowers are more sensitive to cold than those of orange and peach trees.” Right. So this means kiwifruit need more warmth than citrus? But refer to the entry on almonds and it says: “Almonds happily grow in areas with warm summers and cool winters.” So I guess we are talking Hawkes Bay, Marlborough and Central Otago? Refer to peaches and it says: “… a long chilling time ensures a good fruiting crop in summer.” Even we became confused about where you can grow kiwifruit successfully but at least we know that it is a warm temperate to subtropical crop.

If you are a novice and you can deduce whether your area is suitable for growing kiwifruit, what you need to know is that it is a rampant vine and if you don’t prune it thoroughly every year, it will swamp your section and choke out everything else very quickly. The book does at least tell you that kiwifruit are not self fertile so you need both male and female though it fails to mention that only the female vine produces any fruit. I will quote the section on pruning verbatim, so readers can assess for themselves whether they would understand how to prune kiwifruit from this information (including the fact that male kiwifruit vines are pruned differently to female ones). “Pruning: After fruiting has finished, the vines should be pruned in late winter, before the spring warmth. Shoots from summer pruning will not be laden with fruit until the following year after dormancy. Male plants will yield more pollen in the spring if new shoots are pinched out to leave five to seven buds during the summer. Winter pruning renews the fruiting arms, enabling plants to fruit well each year.” Got that, have you? Now you know how to prune your kiwifruit?

Another burning question about kiwifruit which most people want to know is where to buy the new yellow cultivars. The fruit is illustrated but it doesn’t tell you that you can’t buy plants. Hort Research and Zespri, who own all the research on new cultivars, keep very tight control of plants and they are not available to the home gardener. But the book does recommend Cocktail Kiwi, an unproven novelty variety – a rampant grower which is distinctly shy on setting fruit and when it does come it is about half the size of your thumb.

Ever so modest but well thumbed. I can not think that the Tui NZ Fruit Garden will still be around in 40 years time.

Ever so modest but well thumbed. I can not think that the Tui NZ Fruit Garden will still be around in 40 years time.

Kiwifruit is just one example. The book is full of chapters which are similarly inadequate. But according to Penguin, “this book contains all the essential information you need” and “it will become the reference for gardeners of all skill levels….” We wish that were true. Had this been the first release of the Tui NZ Fruit Garden, Sally Cameron and Penguin Publishers might just have got away with it, marginal though it is. To have a second shot at the same book using the same author, it needed to be very good indeed. It isn’t. We will be keeping to our old tried and true modest volume called The Home Orchard, published by the NZ Department of Agriculture in 1973. It is not glossy or trendy but at least it is by people who knew what they were writing about and it only cost us $2.25 to buy at the time.

The Tui NZ Fruit Garden, by Sally Cameron with Rachel Vogan. (Penguin; ISBN: 978 0 14 356536 9).

For the earlier story on mark one of this book, click on The Tui NZ Fruit Garden – dear oh dear.

Plant Collector: Camellia sasanqua Early Pearly

The lovely white sasanqua camellia Early Pearly

The lovely white sasanqua camellia Early Pearly

Sasanqua camellias are the autumn flowering ones in bloom now. They are cheerful and obliging plants, generally tolerant of full sun and wind and they don’t suffer from the dreaded petal blight. But in the main, they don’t have the good flower form of the main season types. Early Pearly is a stand out exception with quite the prettiest flower of any sasanqua that I know. It is a beautiful creamy white with the petals arranged formally in the layout we associate with water lilies. However, sasanquas have looser flowers and softer petals, so bloom lacks the rigidity or waxed nature of other camellia types. The foliage is a particularly good, dark forest green which gives good contrast.

The white sasanqua hedge has been used so widely that it has become a modern gardening cliché, which is a shame because it can be really lovely. But it does seem to begin and end with either Setsugekka or Mine No Yuki, particularly the former because it is so widely available, gives a quick result and is a favourite stand-by of landscapers. Personally, I would much rather be looking at the lovely Early Pearly. The one downside to EP (it is so hard to find the perfect plant) is that as a juvenile plant, it lacks the flower power of some of the other members of its family. I don’t mind that when each bloom is so pretty. As it matures, it sets many more flowers, especially when it has been trimmed, I am told. Sasanquas are native to Japan. The origin and breeding of Early Pearly has been harder to uncover although it was imported to New Zealand from Australia.

Outdoor classroom – rejuvenating tired perennial patches

[1] Many of us have areas of garden which look like this – tired and dull. Although this patch has been kept weed free, mulched and deadheaded, it is many years since it has been actively gardened. There is no alternative to a bit of hard digging.

tired and dull

[2] Dig out all the plants. You can see how heavily compacted the soil has become over many years. It was originally rotary hoed which made it light and fluffy but that was a long time ago.

OC-2A-13-5-2011

Placing the plants on a mat beside where you are working will reduce the mess.

OC-2-13-5-2011

[3] Dig to at least the depth of the spade and dig again, breaking up any clods of dirt. This incorporates air into the soil and encourages worm activity. Rake the area to an even surface for replanting.

OC-3-13-5-2011

[4] Different plants divide in different ways so look closely at the plants. The pulmonaria at the top of the photo will pull apart easily to three separate pieces, all with roots and growing crowns. The phlomis at the bottom of the photo could be cut into many plants but I will take this to just two strong plants, reducing each to only one or two growing points.

OC-4-13-5-2011

[5] If you have dug well, you can replant using just a trowel. Try and avoid planting in rows – staggered drifts look better. I want a quick result so am planting at about 15cm spacings. Take the oldest leaves off the little plant, leaving fresh new growth tips. Remember that the soil is fluffed up and the next rains will compact it a little, so don’t plant at too shallow a depth. Only plant the strongest and the best divisions.

OC-5-13-5-2011

[6] We give a light feed of an all purpose fertiliser – in this case our locally produced Bioboost – and then mulch. This patch was dug, divided and replanted about three weeks ago and has a mulch of wood chip from our shredder. It should be well established and look lush and vigorous in spring time.

OC-6-13-5-2011

A step by step guide by Abbie and Mark Jury first published in the Taranaki Daily News and reproduced here with permission.

Breaking the Mould of the Modern New Zealand Garden – the Dreams at Paloma

The combination of foliage and colours brings life to the Bamboo Forest

The combination of foliage and colours brings life to the Bamboo Forest

I wrote in my last column about the brave and grand visions of Bob Cherry in Australia. I recently revisited another garden which never fails to surprise me and it is considerably closer to home. Paloma is Clive and Nicki Higgie’s creation at Fordell, just on the other side of Wanganui. It, too, takes in a sweeping vision on a scale which is not common. It is not a pretty garden in the accepted sense. I can’t recall seeing any roses there. There is a distinct lack of frothing perennials. I think I am on safe ground when I say that there are no clipped buxus hedges defining the spaces. In fact, Paloma has avoided pretty much all of the modern clichés of good gardening. But it is an outstanding garden.

Beginning with a blank canvas but reasonably extensive land with interesting contours (they are farmers), Clive and Nicki started by sourcing pretty much every interesting plant they could find back a decade or three when specialist nurseries still existed. They lean to the exotic plant side from preference. So from the start, palms, cycads, large, tree-like succulents, rare trees and bamboo dominated but the plant collection has gone way beyond those families. They were certainly pushing the boundaries of what could be grown in their climate right from the start but, as plants mature, micro climates change and the tender plant material looks completely at home these days.

The Garden of Death - social history and toxic plants, not a memorial

The Garden of Death - social history and toxic plants, not a memorial

When you are building plant collections from the start, it is natural to group families of plants in the situation that best suits them. With the passage of time, those groupings mature to different themed areas but it takes advanced skills to turn those collections into a garden. The owners in this case describe the garden as having distinct zones which include the well established Palm Garden (a very good collection of palms), the Jardin Exotique (a strong Mediterrranean influence, named for Nicki’s French heritage), the remarkable Bamboo Forests and two arboreta. I am not even going to try and draw a word picture of this expansive garden. It is an ongoing project but, being in distinct zones and project-based, it does not fall into the rambling but-wait-there-is-more trap of some large gardens.

The recent Desert House project

The recent Desert House project

The large desert house is a new installation, made necessary by the gift of a huge collection of well established cacti and succulents. A traditional earth labyrinth (dug by hand) is nearing completion. Clive is having a great deal of fun building the new Garden of Death. This is not to be confused with a pet graveyard. Rather, it is a unique environment for another themed plant collection which is focussed on poisonous plants and their social histories. With a touch of whimsy, they refer to it as the GoD garden.

It is that sense of whimsy which gives Paloma its special character. Those of us who count Clive as a friend tend to be in awe of his productivity and his wide range of practical skills. This is not a garden where money is spent bringing in outside contractors and tradesmen. Clive must be the ultimate D.I.Y. man, the epitome of that New Zealand ethos. But this is not about cobbling together a walkway or putting in a bit of retaining wall. He builds. He welds. He creates. In the early days of making the garden, those creative energies were primarily directed into projects using the plants. These days the bulk of the planting is done, although the arboreta are ongoing projects. An arboretum, by the way, is a deliberate collection of different trees (not to be confused with a forest or a plantation) and, being Latin, the singular is arboretum but only the determined and the fortunate have the plural of arboreta. Garden maintenance is always necessary but it is hardly creative so I would guess that the creative instincts have found new direction in sculptural installations and building. There are neither classical repro statues nor kitset octagonal summerhouses here. Paloma is characterised by one-off originals, at times combined with strong colour, occasionally provocative, often quirky.

Wit and whimsy on arrival at Paloma

Wit and whimsy on arrival at Paloma

If you only enjoy visiting gardens that look like your own, you may find Paloma disconcerting from the moment of arrival at the simple board fence which has been transformed with whimsical writing. But if you like the challenge of being stimulated rather than soothed on a garden visit, the multiple layers and complexity of this garden environment will be a surprise. I do like a garden where you can’t take it all in on the first visit.

Paloma is not a seasonal garden in the usual manner so there is no single best time to visit. For more information, check out their website (www.paloma.co.nz) , email them (paloma@paloma.co.nz) or phone 06 342 7857.

Turning  plant collections into a garden - Paloma

Turning plant collections into a garden - Paloma

Tikorangi Notes: Friday 29 April, 2011

A somewhat over the top performance from just one Cyclamen hederafolium tuber, albeit a large and well established one

A somewhat over the top performance from just one Cyclamen hederafolium tuber, albeit a large and well established one

Latest posts: Friday April 29, 2011.
1) The voluptuous splendour of Vireya rhododendron Rio Rita in Plant Collector this week.
2) Garden tasks for the week including autumn pruning and getting garlic in early.
3) Outdoor Classroom this week looks at hard pruning large, scruffy camellia bushes.

Tikorangi Notes: Sunday, May 1, 2011
Another weather bomb last week (as we seem to call extreme weather events these days) had people drawing comparisons to the infamous Cyclone Bola of 23 years ago (I can date Bola because it coincided with the birth of our son) but it was not of that magnitude here. Still, tearing winds for two days blew over pretty well every plant in the nursery, snapped a large branch off a prunus which blocked half the road (surprising how long it took for anybody to tell us that our vegetation was a traffic hazard!), snapped a large branch from one of our old man pine trees and generally dislodged anything that was loose. A friend down the coast tells me it wrecked about 20 trees in his garden so we are guessing it was worse elsewhere. Now we are into clean up mode but calm, clear weather has returned. There is not a lot of autumn colour remaining after the winds, but the Cyclamen hederafolium continue to flower. This particular tuber is undeniably large but its production of blooms is so excessive that we have been making jokes about it being on steroids. There is no human intervention, however. It is just hellbent on outdoing every other cyclamen in the garden.