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Abbie’s newspaper columns

Dining al fresco – furniture options

Getting my eye in for outdoor furniture options

I see that summer officially starts on Tuesday but our thoughts turned to the first of the summer wines a few weeks ago. That is to say that I floated the idea of some new outdoor furniture for us to sit in greater comfort with glass in hand. My Mark is a man of many talents but shopping is not one of them. When it comes to larger purchases, I have to do the legwork in advance, narrow it down to a preferred option plus a back up position and then psyche us both up for a joint shopping expedition. So I have been getting my eye in on current options, both in shops and on line.

Wooden furniture largely falls into two camps: Indonesian teak and kwila (hardwoods) or Cape Cod style which is more commonly made in tanalised pine and often painted. We have an existing teak table and eight chairs which are fine but I have another use for them and I want more comfort. I have a twinge of conscience each time I look at the current furniture. I suspect an orang-utan may have been made homeless in order to supply the timber for my patio furniture. Back about eight to ten years ago when we bought it, sustainable logging was not a key selling point. Now it is a huge issue and every purveyor of Indonesian hardwood outdoor furniture from the cheapest to the considerably more upmarket outlets claims that their source is sustainably managed. Call me a cynic, but I wonder if in fact all these offshore buyers were not booked in for consecutive days to visit the one and same model plantation with the claim that it is a fine example of wonderful environmental management and their furniture is being made exclusively from timber milled from this location. The bottom line is that Indonesia’s hard wood forests are disappearing at a completely alarming rate and the timber is going somewhere. It may be optimistic to think that they are not going to supply the decking and outdoor furniture for wealthy Western al fresco living. It is more likely that sustainable logging in heartland Indonesia means cutting out the hardwood forest to replant in high yield palms.

I won’t be buying more furniture made from Indonesian hardwoods at this stage. If you have some (and who hasn’t), you may like to try extending its life by painting it with a mix of about half raw linseed oil and half turpentine. If the mix is a little thick, add more turps. The proportions are not critical. The turps helps the mix get absorbed readily and stops the timber from being sticky. Sadly, I must warn that you can’t put it in a huffer bottle and spray it on (I tried but the mix is too viscous) so you need to brush it or apply it with a rag. It will wreck the brush and if you use a rag, be cautious what you do with it afterwards because it can combust. However it is a great deal cheaper and just as effective as expensive wood preservers sold for the same purpose, though it will darken the wood.

The Cape Cod furniture is allegedly in the American style (fairly loosely speaking, I suspect) favoured on that peninsular of Massachusetts. Personally I think the common style of chair looks as if it were designed for the human equivalent of Jack Russell dogs – long in the upper leg (deep seats) but extremely short in the lower leg (close to the ground) and with a sharply angled back to the chair which looks really bad for posture. They are quite cute to look at in that picket fence sort of genre and it appears to be fashionable to have them painted in alarming garish colours, rather than in gently weathering timber but at least they are made from ethical timber.

Next is that tubular aluminium and nylon look. At its best, it is very stylish in its contemporary appearance with clean lines and it is probably very practical. At its worst, it just looks utility and cheap – and there are very cheap options from some outlets. It is not for me but if I lived in a penthouse apartment with lots of shiny stainless steel and, perspex panels and glass, I would probably feel it was entirely appropriate to the environment but I would only want the more upmarket quality of this style.

So to the French provincial look (sometimes Italian), marketed these days as shabby chic. It is usually cast iron, sometimes wrought iron and I admit I love the look. When we bought our old wooden suite, what I would really have adored was the French provincial dining table and eight chairs which was a mere $6000 close to a decade ago. It wasn’t overly comfortable, it couldn’t accommodate a sun umbrella and it certainly wasn’t practical (the heavy chairs would have been difficult to push in and out on our imperfect, outdoor surface) but it was stylish. These days the price has dropped (the quality too) and alas shabby chic has come to mean chipped paintwork in pastel colours peppered with rust. I don’t want chipped paintwork and rust and I do want comfort. Shabby chic is founded on the real McCoy – weathered by time and of undeniable quality. Repro shabby chic does not do it for me.

Finally we come to the option of African colonial which is outdoor wicker. Proper wicker is a wonderfully organic and aesthetically pleasing material (though it can descend from chic to plain shabby alarmingly quickly) but it is designed for a very dry climate. So what is on offer here is made from synthetic materials. I was surprised to find that if you buy good quality, the guarantee runs to five years which is a lot longer than I expected. African colonial probably takes the prize for all round comfort – clearly the gin drinking representatives of HM Government in that continent knew a thing or two about comfort.
We have yet to make our decision but certainly my forays on the topic have highlighted three points:

1) Like most things in life, you get the quality you pay for.
2) The really, really, really stylish options are found on the internet and are divine but out of our league altogether. I may even rather have the new car I could buy with the money instead.
3) Bringing your outdoor furniture under cover at the end of summer greatly extends the life expectancy of same.

I did not see any of the polyester resin furniture that I have maligned over a period of many years. Maybe it has gone – I wish. I will not even deign to comment on the naff swinging love seats under their own little awnings which look like a floral surrey with a fringe on top. But I would comment that the cantilevered umbrellas that are for sale everywhere this year are desirable. We haven’t owned one yet but we have used one and they completely eliminate the intrusive presence of an umbrella pole in the middle of everything. We are looking forward to being well set up shortly for the summer wines.

English Summer Gardens – Part 3

We went to England to look at summer gardens which are all about flowers, particularly perennials and annuals. We didn’t expect to see so many meadow gardens and nor did we have the perspective of the summer garden as a continuum.

At one end, we saw natural wildflower fields, grazed by sheep and not managed as gardens at all. There are two key aspects to understanding British meadows. One is that many of our weeds in this country are in fact wildflowers in their home environment. So what might be seen as a rank, unloved and weedy infestation of dandelions, stinging nettle, daisies, convolvulus and blackberry is an entirely appropriate and acceptable meadow garden in its natural setting. Add in other elements such as cowslips and wild orchids (dactylorhizas and anacamptis pyramidalus) and you have something altogether delightful. The second aspect is that wild flowers thrive in a climate that is cold enough to stop all growth in winter and dry enough to stunt most growth in summer. These are hardly typical Taranaki conditions.

Inch along the continuum and you discover managed meadow gardens which were integral to most of the large gardens we visited. The late Christopher Lloyd of Great Dixter was an influential figure in popularising and enriching the meadow garden genre by encouraging a wider range of wild flowers to naturalise. The general rule of thumb for managing meadow gardens is to cut the meadow down in August (the equivalent of February or March in our hemisphere) and to leave it lying for about three weeks. This allows the seed to distribute. The hay is then raked off the meadow in order to keep the fertility low. If the soil is too rich, the growth becomes rampant and grasses will dominate. The existence of a parasitic annual referred to as Yellow Rattle (Rhinanthus major) helps to keep the grasses weakened.

Meadow gardens appeal to the romantic and naturalistic instinct cherished by the English. It is not seen at all as scruffy or unkempt and it is fine to have a designated meadow area as your main point of entry to the garden. The naturalism is often combined effectively with that most prim and proper of all gardening techniques – topiary. Great Dixter does it – the large clipped yew shapes created by Lloyd Senior now stand in the midst of an informal meadow. At Helmingham Hall in East Anglia, an undulating wave of pathway is cut through meadow grasses which surround large clipped yew domes.

I don’t see many New Zealand gardeners managing this meadow genre. Our soil fertility is too high, our grasses grow too strongly and will choke out most competition, our torrential rains will flatten meadows even in summer and if the rain doesn’t do it first, then winds will. Our nitrogen levels are too high. And we tend to be a bit anally retentive and suburban, dedicated to manicured lawns and edges, let alone to glyphosate, to tolerate the casual live and let live philosophy of the meadow.

Take another step along the continuum and there is the completely contrived and totally enchanting field of flowers (without grasses). We saw this done at East Ruston Old Vicarage Garden where the field of yellow daisies had hints of blue cornflowers and red soldier poppies and it was so perfect that it took our breath away. If you start with bare earth, in the first season there are no competing grasses or weeds so all that is seen are the desired annuals. By the second season, competing plants mean that you are closer to the managed meadow situation.

Contrived but charming field of flowers at East Ruston Old Vicarage

Contrived but charming field of flowers at East Ruston Old Vicarage

We are now moving into a style of gardening which has a debt to the North American prairies and the prairie meadow style reaches a pinnacle at Wisley Gardens where Professor James Hitchmough from the University of Sheffield is responsible for one of the most delightful meadow gardens of perennial flowers that you will ever see. Apparently the inspiration was Missouri meadows but the execution of the vision was achieved with gardening skills. The brief included a requirement that this garden be easily managed by Wisley staff so it went in to an area which had been cleared of weeds and grasses and probably also cleared of much of its topsoil. A rope mesh mat was laid, allowing the plants to stay anchored and a carefully chosen palette of about ten plants from seed mixed with sawdust was sown to create a sea of perennial flowers. There wasn’t a lot of foliage evident and the plants were tough performers which thrived in hard, dry conditions. It was magic. It was also in its second season already and there was no evidence of weed or grass contamination although it must be said this is managed with some ongoing minor intervention.

The Missouri meadow garden at Wisley

The Missouri meadow garden at Wisley

Move along the continuum further and you get to the classic cottage garden style which the English made their own. Cottage gardening is an indulgence of self seeded annuals and perennials, usually combined with roses, along with other shrubs and climbers such as clematis. The effect is a riot of colour and flowers with nothing so contrived as colour toned borders or stage managed plant combinations. Plants should look as if they are growing naturally where the seed falls and hard landscaping takes a back seat in this informal, romantic look. Readers who know the Armstrong’s garden in Waitara will have seen a rare local example of this gardening genre. If you have yet to visit, go and see it this Rhododendron Festival. Alathea Armstrong has it peaking to perfection for that week and it is very pretty, albeit labour intensive.

But take another step along and you come to what I call the managed cottage garden look which I associate with English gardeners such as Rosemary Verey and Penelope Hobhouse. The romantic naturalism is now combined with hard landscaping, form and formality. It is much more controlled, as can be seen in the Hobhouse Country Garden at Wisley. Colour toning becomes a major factor. Deadheading becomes intensive in order to prolong the display. Planning for successional flowering from spring to autumn is important. Constant management means spent plants are cut back and holes are plugged by bringing in fresh potted colour from out the back somewhere. Weed management becomes more critical. Many of the plants need staking. We talked to Lady Xa Tollemarche at Helmingham Hall about her borders and she manages to keep them at a peak for several months. The English do this classic garden style so well but it is not for the home gardener who sees spending every spare minute in the garden as a form of slavery. Easy care and low maintenance, I think not.

The classic Hobhouse country garden at Wisley

The classic Hobhouse country garden at Wisley

We are, dear Reader, only half way along the continuum. How silly of me to think I could summarise all we saw and talked about in 1200 words. We need to pause in the middle before moving on next instalment through the mixed border a la Christopher Lloyd, the sweeps of herbaceous colour softening formal landscaping in the style made famous by the Lutyens-Jekyll partnership, moving through the classic and intensive long borders to the recent work of Piet Oudolf and Tom Stuart Smith and onwards to the modern minimalism of mass planting. There is still quite some distance to go and any number of points where thinking gardeners can hop off the continuum, comfortable that they have found the point that best suits their situation.

A Gardener's Christmas

What I would really like Santa to bring me this Christmas is a genuine kink free hose or two. We own lots of garden hoses here and all are meant to be kink-free. Over a period of time, none are… There is little more annoying than using the hose and finding the water stops suddenly because it kinks in the same spot every time. Then the water pressure either blows it off the tap which sprays water everywhere, or when I bend to straighten the offending kink, the end of the hose suddenly develops a life and will of its own and sprays me with water. Either way, I get wet. Maybe Santa knows a manufacturer of hosepipes which don’t ever go into kinks. I am told that using a hose reel keeps kinks at bay, but as I regularly use four different garden taps, unless I want to keep moving the entire shebang, I would need four hose reels and four brand new hoses which may be asking altogether too much from Santa.

I am hoping Santa may also go to the Boxing Day sales (I may need to accompany him) and buy me two ladders. One needs to be a stable but lightweight two or three step affair for pruning plants which are just above my reach and one needs to be taller for reaching higher. OSH would not like our ladders here at all. They are somewhat unstable and held together by baling twine, but at least they have their rungs.

Other gifts for gardeners that I would recommend include good secateurs. Decent secateurs last for many years (as long as they don’t end up in the compost heap) and will retain a sharp edge for clean cuts. It is false economy to buy cheap secateurs which are invariable nasty. Grape snips, however, are lightweight and cheap and much appreciated by women gardeners with smaller hands (and presumably by Asian gardeners according to the Lockwood Smith school of thought). They are so much easier to carry in a pocket and I prefer them to conventional secateurs for lightweight trimming. If you are feeling generous, give the recipient a couple of pairs. We own a smaller and lightweight pair of secateurs bearing the brand ARS which Mark and I both treasure as being easy to use and keeping a good sharp edge. We bought them years ago for taking cuttings and they have remained firm favourites for ease of use.. I did have a handy secateur sharpener given to me by friends, until I mislaid it (quite possibly with various secateurs and trowels in the compost heap). It doesn’t do anywhere near as good a job as a proper sharpening stone but for a quick-fix sharpen, it works well enough to get by. They are cheap enough and I need to buy another one but I am still waiting for my missing one to reappear.

Pruning saws are not cheap, at least not for a quality brand, but are worth their weight in gold. My preference is for a straight blade, not a curved one.

Every gardener needs more than one wheelbarrow and here, too, you really do get the quality you pay for. The last barrow I purchased was dirt cheap but alas something went wrong in its design and if you put anything in the tray at the handle end, it tips back. If you are going to go for a really cheap option, at least look at an assembled model and try putting a couple of unbreakable items in it before you buy, to check for stability. I recall inheriting a dreadful barrow from my mother with the same design flaw. The big chunky contractor’s barrows are sturdy, but most women will find them too heavy and the handles too thick to use comfortably. Plastic trays don’t rust out if you leave them out in the rain or filled with debris.

Trowels are another item which every gardener needs in multiples. Even with the best of intentions, they go missing on regular occasions, sometimes never to reappear. I am sure that trowels take themselves off to some secret gathering place, there to commune with other wayward trowels, forever safe from discovery. Either that, or they are imbued with some deluded desire to grow up and become spades and they are hiding out in the interim, awaiting their metamorphosis. Mark’s advice is that blue is the easiest colour to find in the garden so he prefers bright blue handles. But many of us can testify that even secateurs and trowels with high viz handles can disappear when your attention is momentarily distracted.

I really prefer not to be given garden ornaments or decorations. These are a matter of personal taste and being rather pernickety in the matter, I would rather chose my own (or have none).

If you are looking for books to give for Christmas, it is hard to go past The Artful Gardener (reviewed on this page last week), by Rose Thodey and Gil Hanly. It is a very good book and would be welcomed by most serious gardeners. In the classics, Hilliers Manual of Trees and Shrubs is a good standby for every bookcase. If you are feeling really generous, Audrey Eagles massive tome on New Zealand plants would be welcomed by most enthusiasts. Botanical art prints are also a safe option, well liked by most people who enjoy plants and gardening. You can often find these reproduced on quality greetings cards and picture frames are so cheap now that it could make a thoughtful gift within even a child’s budget. Botanical art, by the way, shows the botanical detail of the plant being painted – the stamens, petals, seedheads and other parts of the plant anatomy. They are not just chocolate box pictures of pretty flowers which may fall into the same category as garden ornaments and decorations.

Ours is a household which never gives gift vouchers or money in any shape or form. Second hand books are acceptable because they show thought, but gift vouchers are utility and take no thought at all and it is perfectly obvious to the recipient how high a dollar value you place on them. But, as a friend pointed out, others view vouchers differently and gardening vouchers are often well received when other inspiration is lacking.

Another friend suggested sun hat and sun block as a thoughtful gift. I would add that littlies who need help buying small gifts for gardening parents, relatives or grandies could do much worse than giving a new nail brush and hand cream!

The final suggestion over morning coffee for a welcome Christmas gift was a gardener. Although it is more likely that a willing garden labourer is what many of us would prefer. I am not sure that Santa himself fits the bill on this one. A younger, leaner and fitter model would be better to have at one’s beck and call. Preferably one that is amenable, obedient, has a little initiative but not too much and is easy on the eye. Thanks, Santa.

I dream of hostas with a snail free leaf

Hostas have been preoccupying me for the past fortnight. First up, Mark and I volunteered to take a workshop on the topic during our recent festival and were a little taken aback at how many people turned up to hear our pearls of wisdom on the topic. And secondly, I have spent this week dividing and repotting hostas in the nursery. I have reached the point where I even dream about them which may be a sad commentary on the state of my life at the moment. But there are probably worse subjects to dream about than hostas.

When we used to sell plants by mail order, we were often surprised by the number of people who fail to understand that hostas are deciduous – in other words they disappear underground in autumn to re-emerge in all their glory in spring. And it is all that fresh spring growth which is their greatest appeal. That and their endearing tolerance of shaded conditions, even dry shade.

The worst example of hosta ignorance came from a new customer in Auckland. We despatched her order by courier in late autumn and she faxed back to say that the carton had arrived and all the plants were in excellent order, bar the hostas. I can still recall her words: “It appears there has been a rabbit in the carton eating the hosta foliage. Or if the hostas are meant to be like this, then I don’t want them.” I can not remember how we resolved the situation but I am pretty certain we never sent her another plant list. Some customers, as Mark has been known to observe, put the cuss into the word customer.

As with most other plant genus, hosta aficionados like to search out the new or the different (and in the hosta world, new does not always equal visibly different) so a full hosta collection can become rather large. But we are tending the other way and weeding out varieties which have minor variations at best. In fact I find it impossible to tell the difference between Patriot (itself a sport of Francee) and Minute Man. All three varieties are green with a white edge and googling hostas throws up a host of other minor variations of the same original plant. Hostas are not all stable in type and some varieties tend to throw up what are known as sports – aberrations or variations. Occasionally it will be something worth having but that is rare… The flip side of the coin is that the variegated hostas can tend to revert to a plain colour and that reverted part of the clump will often be stronger growing so will take over in time. So if you have a fancy hosta with a plain section, it pays to cut out that reversion. As most of the newer varieties in this country have come in as tissue cultured plantlets (in other words they have not been divided from an established clump but have been increased in a laboratory from cell divisions and grown on agar), the problem of reversions is becoming more common. Tissue culture is not always stable and can throw up variations or reversions.

The most common mistake made by less experienced gardeners is to be seduced by all the wacky variegations and to plant them together – the green with white edging, the reverse variegation of white with a green edging, the blue and yellow both ways and the green and gold options. After all, who wants to buy a plain coloured hosta, especially if it is plain green or a low key blue toned one? My rule of thumb is that every variegated hosta needs at least two plain coloured ones to set it off. So a showy big blue hosta with a yellow edging is going to look a great deal more effective if it is grouped with a small plain yellow and a mid sized plain blue plant. It is the variation in size, leaf shape and some level of restraint in combining patterned leaves which makes a hosta patch pleasing to the eye.

If you can’t bring yourself to buy plainer hostas and nobody is offering you divisions, raise seed. No matter what parent plant you collect the seed from, the vast majority of offspring will return to plain colours, mostly green.

Hostas are predominantly for shady areas of your garden. They are tolerant of very dry shade under trees but equally they will be happy in damper areas with heavy soils. What they don’t like are light soils in full sun – their foliage will just burn and the plants will fail to thrive. You can get away with reasonable light levels on the margins of sunny areas but the paler variegations (the plants with white or pale yellows) will burn and crisp around the edges in direct sun.

The greatest problem with growing good hostas, as every gardener knows, is slugs and snails which feed voraciously on the leaves. I spoke to many garden visitors, particularly from Auckland and Hamilton, who talked about walking out at night and crunching their way across snails and I can remember seeing the phenomenon once in Palmerston North where it was like a horror movie (The Invasion of the Snails, perhaps, or Snails’ Revenge) with literally hundreds of them teaming across a concrete pathway. If you have a snail problem of this magnitude, forget growing anything that is snail fodder. But if you have only a moderate issue with these herbivores, a combination of good selection and good management can keep the problem within manageable bounds. Choose hostas with thicker, tougher leaves rather than the soft and wispy types. Slimy crawlers do not appear to like slithering over gritty surfaces so circling plants with sand, sawdust, baker’s bran or similar will often deflect them elsewhere. We have little problem under our rimu trees with the thick carpet of rimu needles. Yes you can use slug bait, but it is not very nice stuff and can poison dogs, hedgehogs and birds so be very sparing – one bait per plant is all that is required. If you head out with a torch on a misty or rainy night after a dry period, you will often find the hungry offenders on the move.

Given that every discussion about hostas comes down to slug and snail control in the end, I leave you with the thought that most of the slugs in this country and all of our icky snails must have come in on plant material. What I do not understand is why, on those early boats bringing settlers to New Zealand along with all their trappings to remind them of home (blackbirds, thrushes, sparrows, trees and plants), they did not usefully employ themselves on the long sea voyage exercising digital control to ensure that not a single pesky slug or snail survived. It would have saved us a great deal of trouble in the garden.

In Praise of Pruning

The September issue of the NZ Gardener magazine had a profile of Palmerston North gardener, sculptor and retired florist, David Anyon. We have never met David that we know of, but several of our friends and colleagues speak highly of his skills so it was with interest that I read the article. The photos of his garden did not, we suspect, do it justice but it was his philosophy on pruning and shaping that particularly struck a chord.

To quote the article: “David emphasises that what he does isn’t pruning so much as shaping, to create mood and drama. He’s convinced that if more gardeners got stuck into a little clipping and shaping of their trees and shrubs from the outset, it would help to prevent mishmashed jungles.”

We first noticed this technique of picking out and shaping accent plants carried out to great effect a few years ago at Hollard Gardens in Kaponga. I can recall writing about it at the time. It acts like a punctuation mark in a garden, a feature which is a plant and not some placed object. It gives a degree of formality and a focus to what can otherwise become a melded mass of foliage and flowers.

Gardening conversations here can start as early as 6.30am with the pre breakfast cup of tea and for a while we mulled around the appeal of freshly planted young gardens. Owning and working in an old and very well established garden as we do, the appeal of a young garden is not part of our personal experience. But there is no doubt that there is something fresh and charming about newly planted gardens and Mark figured that it was because when you start with young, smallish and fresh plants, each one stands largely on its own, in its own clearly defined space and therefore has a distinct shape. As the plants grow and start to compete for more space, often intertwining and encroaching on their neighbours, the whole effect starts to meld into the mishmash referred to by David Anyon. A very different set of skills are needed to take the garden to its next level of maturity – lifting the skirts of larger plants to expose the trunks, creating layers, thinning, shaping, changing some of the underplanting to meet different conditions for starters. But New Zealanders tend to be great at creating young gardens and too often we have seen the response of trying to recreate the juvenile charm by either starting again and repeating a similar planting from scratch or by taking plants such as camellias and evergreen azaleas back to stump level so they will rejuvenate and look as if they are young and fresh again. Too few garden plants are ever allowed to reach maturity in this young country of ours.

David Anyon was articulating a different approach. And, as he pointed out, going against the prevailing ethos of the 1960s which still prevails to some extent today, where clipping is seen as fine for formal hedges but rather naff in other contexts. Personally I don’t want a garden where everything is clipped and restrained, which is just as well because we would need a small army of clipping minions to manage our seven acres. We saw too much of that in Italy where very little was ever allowed to grow naturally. But shaped and clipped accents have their place in gardens both large and small – probably even more in large gardens which can become jungle-like or rambling over time.

I spent Saturday afternoon pondering this as I was up and down the ladder cloud pruning Camellia Mine No Yuki. Even though Mine No Yuki is now in her third year of this treatment and I was just going over old ground, it still took me the better part of five hours to recover her allocated form. At the time I was wondering if devoting so much time to one plant was justified when we are feeling the dreaded weight of pressure to get the entire garden groomed up to the level we like for our upcoming festival. But when I had finished, I decided it was definitely worth it. It provides a key point, a feature to arrest the eye in what is otherwise a rather formless and featureless area of garden. The controlled formality makes the surrounds look natural by contrast, rather than unkempt.

In that Gardener article, David Anyon also refers to what he calls ‘defuzzing’ – removing little twiggy bits and dead bits from branches of larger plants. He sees it as making for cleaner, more attractive trunks and framing small spaces and vistas in the garden. I couldn’t agree more. This defuzzing is, I decided a while ago, one of the most satisfying and fun aspects of gardening. You can’t defuzz in young, juvenile gardens- there is not enough to defuzz. But it has a most rewarding impact in an older garden.

I am thinking of requesting a new ladder for Christmas. Our ladders are OSH hazards and need care. But we do at least have decent tools here. There is nothing more off putting than blunt or stiff hedge clippers, secateurs that won’t keep an edge, pruning saws that are blunt and bent or loppers that no longer lop cleanly. Mark is adamant that he won’t teach me how to use a chainsaw and they terrify me anyway, but I have learned that I can achieve a great deal with a good pruning saw. Gardeners with small hands or arthritis may like to treat themselves to grape snips as well. They are pretty cheap, as I recall, and pleasant to use as well as being light enough to carry easily in a pocket. I tend to wreck them by trying to cut through wood that is too thick but we bought a dozen pairs a couple of years ago and I still have a couple of brand new sets waiting hidden in my drawer. Mark favours a lightweight and small set of secateurs which were very expensive to buy but much easier to use than heavier and cheaper brands. If you are a serious gardener, buy quality.

The sky is the limit when it comes to pruning, shaping and tidying individual plants in a large and mature garden but I am really looking forward to having more time to indulge in this aspect of gardening. I certainly would not claim to be in David Anyon’s league (taking everyday plants and turning them into unique works of art, according to the writer of the article) but I would certainly like to get there. It is a great deal more creative than weeding.