
It is the time of the year when the deciduous azaleas star and there aren’t too many plants that star in bloom as they do. For 49 weeks of the year, they are largely ignored and then boom!

If you set aside the flower power, deciduous azaleas are a fairly unremarkable plant, at least in our conditions. I have never seen one with exceptionally attractive form. In winter when they have no leaves, they tend to look twiggy, scruffy and dead. With their fresh foliage in spring, they are generally unremarkable. By the end of summer, in our mild, humid conditions, the foliage is often mildewed. As I went around photographing ours on Thursday, I thought they would look better if we did a big round on taking out the dead wood, which we haven’t done for some years. This is a task best done when the plants are in leaf because in winter, it is hard to tell the difference between dead wood and live wood. But even when we clean them up in this way, it is still very hard to turn an azalea shrub into a good form which stands on its own merit because their growth habit is so twiggy, so formless.

These shortcomings are forgiven when they come into bloom. Masses of bloom, often strongly scented and the colour range is extensive. Some have a vibrance and mass that is rarely equalled. ‘Look at me! Look at me!’ they shout. Others are much more restrained in hue if you can’t think how to integrate the pure colour of the oranges, reds and yellows.

We have a fair swag of them, mostly planted between the 1950s and the 1960s. Some came into the garden as named varieties but the names have been lost in the mists of time. Felix Jury immediately used these in controlled crosses and raised more from seed. Mark also dabbled in turn, particularly with getting double flowers. Deciduous azaleas are one member of the rhododendron family that I think you can safely buy based on flower colour alone, without worrying about searching out particular varieties.

Azaleas are useful because they are nowhere near as touchy about growing conditions as most rhododendrons, particularly wet feet, as we refer to heavy soils that never dry out. In those earlier days, our park was prone to flooding. They will also tolerate dry and exposed conditions, living and growing when many rhododendrons will quietly give up the ghost and die. We only have a few deciduous azaleas in the cultivated gardens around the house; most are in the looser areas of the park and the Wild North Garden. And therein lies a lesson on placement. I don’t think they are an easy plant to place well in smaller, urban gardens, especially the strong coloured varieties.

I drive past such a small garden every time I go to town. Freshly planted, my guess is that the owners went to the garden centre in spring and bought everything in flower that they liked. It has been particularly pretty this spring with both Magnolia Felix Jury and Iolanthe putting on a show despite their small stature at this early stage, along with some very pretty cherry blossoms, rhododendrons and camellias. And, this week, one garish deciduous azalea in bright yellow. I can see why they bought it but it does rather stand out as lacking harmony with the rest of the garden. The more restrained colours are easier to integrate.

I think our brightest azaleas work because they are standing pretty much in isolation surrounded by masses of green. When they have finished flowering, they will just be another shrub down in the park, like a neutral coloured cushion on a sofa. It is much harder to place them well in a small garden.

If you are in New Zealand and want to buy a deciduous azalea or three, do it right now. This is not a plant that fits modern methods of production and retail so you are unlikely to find them easily when they are not in bloom. Garden centres are not keen on them because they only sell when in flower.

I briefly attempted to disentangle the differences between deciduous, mollis, Ilam and Ghent azaleas, to name just a few groups. Mark gave me a potted history of the azalea in Aotearoa New Zealand and names like Exbury, Stead, Yeats and Denis Hughes all came up, along with notable collections around the country when they were a very popular plant several decades ago. Alas, I am not so fascinated by the genus as to give the time to fact check it all. I will say that if you use the broad term of ‘deciduous azaleas’, it will encompass the lot.




The deciduous azaleas certainly add vibrancy to the late spring garden as we enter November. They are not all so breathtakingly unsubtle. But I guess, were a plant to think like a human, if you are going to spend 11 months of the year being pretty insignificant, you might as well make a loud statement when it is your time to star.
The area of our garden that we refer to as ‘the park’ was first planted in the early 1950s, in the style then promoted by the New Zealand Rhododendron Association. Plants stand in solitary splendour which gives them their own space, plenty of air movement and the ability to be viewed from all aspects. While it has changed and matured over the intervening six decades, the deciduous azaleas still thrive in this environment with minimal attention.
Azaleas are all part of the wider rhododendron family. Evergreen ones originate from Japan while the deciduous azaleas are much more widespread in the temperate world, being found in China, Japan, Korea, southern Russia and North America. Most of what are grown now are hybrids with very mixed genetics.They are often inaccurately referred to as Ilam azaleas or azalea mollis in this country. “Mollis” refers to a particular cross deriving from A. molle and A. japonicum, originating from early plant breeders in Holland and Belgium. The Ilam azaleas came from the breeding done in Christchurch but have strong links to the Exbury azaleas, also referred to as the Knap Hill hybrids. Then there are the Ghent azaleas, which originated from that area in Belgium. Confused? It is really difficult to disentangle when in fact the most accurate description is simply to refer to them as “deciduous azaleas”.
First published in the November issue of New Zealand Gardener and reprinted here with their permission.