Category Archives: Abbie’s column

IMO* Green waste

My Sunday mornings with Tony Murrell on Radio Live’s Home and Garden Show have moved to the more civilised hour of 7.45am. This was just as well this morning with our land line down. Because we live in a mobile black spot, I headed out across the property under an umbrella (it was spitting), to the point where I know I can get at least one and sometimes two bars on my mobile phone. I was committed to speak on my concern of the week – green waste and the ubiquitous wheelie bins.

“Go forth and multiply” – the rise and rise of the wheelie bin

When the directive came to “go forth and multiply”, I cannot think that it was ever meant to apply to wheelie bins. But that is the case. We live in the country and for years we took responsibility for our own waste disposal. When the local council extended rubbish collection to many rural areas, it was undoubtedly convenient but it came with a hefty price tag. We now have a wheelie bin for recyclables and an inconveniently shaped bin for glass which needs to be transferred to a wheelbarrow to transport it out to the roadside. But wait, there is to be more. Plans are afoot for another wheelie bin to take the non-recyclable rubbish, another for green waste and I am not sure where the plans are to give us a fifth small bin to sit upon the kitchen bench to take the green waste before we transfer it out to the wheelie bin.  Plastic, plastic and more plastic.

As I said, we live in the country. Everybody I know who lives in the country has some sort of composting system. There is no need to charge us for removing our green waste and increasing its carbon footprint further by transporting it to a central depot.

Wheelie bins of London. I have seen British gardening shows showing strategies for concealing your wheelie bins in little enclosures with “living roofs”

What worries me the most is that this new drive to collect everything from the gate actually fosters an “out of sight, out of mind” mentality. And these great thunking wheelie bins encourage people to put yet more rubbish out. Councils such as ours can espouse “zero waste by 2040” sentiments all they like, but these are aspirational only when their actions are geared to hoping residents will sort their rubbish at home before they wheel it out for collection. It is still predicated on ratepayers paying a levy for somebody else to cart away their rubbish and to deal with it. The feel good factor without actually achieving much at all.

Wheelie bins of Coogee to the right

Our Sydney daughter lives in a third floor apartment and has a worm farm. She alerted me to Compost Revolution, an organisation that works with Sydney councils to encourage residents to take responsibility for their own green waste and to deal with it at home. Attend a two hour course and you get either a free or heavily subsidised composting option – Bokashi, worm farm or bin, whichever is best suited to your circumstances. That is a constructive model that gets ‘buy-in’ from participants and changes long term behaviour. Green waste can account for around half of household waste. So it is a huge reduction in volume if it can be dealt with on the home site and a big reduction in carbon footprint if it is not being carted away for recycling. It is interesting that Compost Revolution appears to have worked on solutions applicable to high density urban living.

Centralised waste collection in Tivoli

I was impressed by the European models I saw of centralised collection points where people sorted to the appropriate bins as they dropped off their rubbish. In a densely populated, old town like Tivoli, individual household collection would be near impossible. These collection points were emptied each day and the area swept. There was nothing offensive about them, even in very hot weather. Everything about this model encourages a reduction in volume and individual responsibility.

Rural waste collection in Camembert, France

Rubbish disposal, New Zild style, near where I live. 

In France near Camembert was this smart and tidy collection point for community refuse. It remained tidy for the several days we stayed nearby. Sometimes I despair at home. Prior to the collection of our refuse from the gate, Council tried a local collection point down the road from us. People treated it like a roadside tip. Literally. It was revolting. Don’t worry about how the system works. Just hiff your rubbish out from your vehicle whenever you want. Sometimes we seem so backward and uncivilised in this country I love and never more so than on household rubbish. Out of sight, out of mind.

Don’t, just don’t pile up your lawn clippings around the street trees. This is likely to kill them. Mount Eden, Auckland

At the very least, next time you replace your lawnmower, get a mulcher mower. It chomps the clippings so finely that they reintegrate with the turf. This means you do not need to collect them and then find some means of disposing of them. It also means you never have to feed your lawn because you are not stripping all the nutrients off. And look at other ways you can deal with the majority of your green waste on site rather than paying somebody else to remove it and to take responsibility for your waste. It matters.

Should you wish to do a bit of DIY compost, I have in the past posted step by step instructions on

 

*IMO – in my opinion. The Radio Live Home and Garden Show opinion pieces each Sunday may translate to a new series of posts here.

A perfect garden?

The elliptical pool reflecting the house

Is there such a thing as a perfect garden? I would have said no until we visited a private garden in a little village in the Cotswolds. It was as close to perfect as I have seen.

Let me explain what I mean when I say perfect, by starting with what I don’t mean. I don’t mean it is the best garden that I have ever seen or the most exciting one – we don’t rank gardens like that. Nor that it is static and frozen in time. It is anything but. What I mean is that on the day we visited, it was a garden in perfect harmony where all the elements came together at the same time.

I would list those elements as:

  • the owners’ expectations, wishes and lifestyle
  • the designer and his design within the particular location
  • the plantings
  • use of colour
  • the hard landscaping
  • the underpinning infrastructure,
  • the maintenance of the garden
  • and the incidents of surprise and delight.

All these elements were in balance, to an extent that I have not seen before. There were no jarring notes.

The designer is Dan Pearson, a gentle tour de force in the contemporary gardening scene. He has a strong focus on enhancing nature by working with it, bringing a naturalistic philosophy to his gardens.

To set the scene, from memory the owners told us it is an acre in size. It is flat and Pearson took it back almost to a blank canvas. With the typical Cotswold two-storeyed cottage in the local golden stone being on the road side of the site, the body of the garden has four distinct sections, three of which feature water. The first is by a charming stream boundary and centres on a large elliptical pool with restrained plantings. The second is a formal garden built around a canal, with a dining area closest to the house. The third is the most spacious and contains a swimming pool. It was apparently the first garden Pearson had done that included a swimming pool and he was not keen. I can understand why. Pools are awfully difficult to integrate without turning it into the Miami look. But this pool was beautifully executed, though that is easier when you don’t have our laws requiring childproof fencing close in on all swimming pools.

The fourth area contains contemporary block plantings adjacent to another outdoor entertaining area.

The swimming pool and meadows

 

The canal garden

There is a feeling of timelessness, particularly in the canal garden, that I attribute to the proportions the designer has brought to the space. We had been thinking about issues of space, proportions and symmetry in Italy the week before. It is those which make classic Italian gardens classic. Looking at it in a much smaller-scale domestic garden reinforced the view that this is what you can get if you choose the right designer. The key word is “can”. It is not guaranteed from all designers but I will say that it is even rarer to see an amateur gardener achieve this. That confident use of space and proportion underpins everything but done really well, it is not obvious.

What I call the ‘hidden infrastructure’ of the garden is well camouflaged to the point where it was not apparent at all. Again, attention to detail is paramount. There is no pond lining visible on the elliptical pool. I asked and the pool is made the old fashioned way, presumably with clay lining to remove the need for an unsightly pool liner. I did not spot a single skerrick of plastic anywhere in the garden. No cheap solar powered lights either.  There were no visible hoses hanging about, no clumsy afterthoughts of garden edgings. The swimming pool filter was housed out of sight. The motorised pool cover was near to silent and the wiring was hidden. The compost bins and inevitable wheelie bins were discreetly housed. Everything had been thought of. We fall well short of that in our own garden but we admire the impressive attention to detail.

Look at the attention to detail on the dry stone walls

The visible infrastructure – more commonly called the hard landscaping – was beautifully executed to the highest of standards. Just look at the wonderful oak-framed arrow slits in the new stone wall.

The maintenance of the garden was unobtrusive but immaculate. Britain has a long, enviable tradition of training professional gardeners. Not for them the experience of the self-claimed garden maintenance contractors. An Auckland friend ruefully noted recently that “The woman doing my “gardening” was moved to “prune” my daphne last month. I will have a daphne-free winter.” These are high level skills that keep this Cotswold garden in peak condition and true to the original vision while meeting the owners’ expectations. There is a wonderful eye for detail and a sure hand in knowing what to leave and what to ‘edit’, as is said in modern parlance.

Roseraie de l’Hay, I think 

The plantings were botanically varied but more restrained than the current UK fashion for large and vibrant perennials in ever more shocking colour combinations – and probably easier to live with for that. But I appreciated the unexpectedness of colour – the bright golden aquilegias and the  yellow Clematis tangutica, the latter combined with red crocosmia. A less bold planting would have gone for the safe but cliched option of the white rugosa, Rosa Blanc Double de Coubert, rather than the bold, deep cerise of what I assume is Roseraie de l’Hay.

This is a garden of charm, restraint and timeless elegance. It has the good bones that may allow it to endure down the decades. On the day, for us, it was simply a delight of gardening perfection.

Again, I have posted an additional album of photos on Facebook for those who would like to see more pictures around the garden.

Even the wheelie bins and compost bins were screened from view by dry stone walls. 

A garden destination for all tastes and expectations? Trentham in Stoke-on-Trent

Trentham Gardens shows that it can get pretty close to being all things to all people. Even on a cool, grey Monday afternoon, the place was humming. Mark and I have a running gag about the “sense of arrival” at gardens. One day I will explain the origin of our cynicism about this but we worked out long ago that the greatest “sense of arrival” is a full carpark. And on this Monday afternoon, I photographed our rental car so we could find it again later. As an aside, you can have any colour of car you like in Britain, as long as it is black or grey. And one grey rental car looks pretty much like 80% of the other cars.

Trentham had a long and illustrious history before falling on hard times. Very hard times. The splendid Capability Brown lake apparently became the smelly, festering sewer for the Trent River and all who lived and worked nearby – especially the potteries for which Stoke-on-Trent is famous – resulting in the family vacating the grand home. When nobody wanted to take the estate off his hands, the 4th Duke of Sutherland committed an act of great vandalism in 1912 and had most of the house demolished. Why? Many must have asked that question down the years.

Why? The remains of the original house

St Modwen Properties certainly must have asked that question when they took over the property in 1996 and declared a brave mission statement:

“Regenerate and restore the historic Estate and gardens turning it into a premier tourist and leisure destination of national significance.” 

The shopping village – Swiss chalet naff?

Those plans included extensive gardens, monkeys, a luxury hotel on the site of the original house (yet to materialise) and a whole lot more. Are they on track? They sure are. Moving from the well-filled carpark, you first encounter the retail village. True, it is what I might describe as ‘Swiss chalet naff’ in style but it appears to pull the punters and I bet the main street retailers hate it. We are not good shoppers so we passed through quickly.

The Italian terraces where the main plantings are by Tom Stuart-Smith

We were there to see the Tom Stuart-Smith and Piet Oudolf gardens and then we found there were extensive new plantings by Nigel Dunnett. Three modern stars of the gardening scene is pretty good. And add in the David Austin rose border to make it four stars. But if ever there was a destination that fitted the “but wait there is more” descriptor, it is Trentham. There are summer concerts (see my footnote *). We did not go to the Monkey Forest (with real monkeys). Nor did we find the maze or the show gardens or go on the model railway. We should have taken the boat ride because the walk around the lake was closed for some reason so we could not get access to all the new Dunnett plantings. But honestly, there is enough there in the gardens around the site of the old house to keep most of us happy.

Looking across the Stuart-Smith plantings to a surviving original gateway

Tom Stuart-Smith planting

Put briefly, Tom Stuart-Smith has been given free rein on the original Italianate terraces. The planting is typical of his signature style that we have seen – big, bold and handsome combinations. The phlomis, Stipa gigantea, eryngiums, geraniums, tall campanulas and thalictrum all  come to mind at this time of the year. We saw his beautiful terraces at Mount St John in Yorkshire a few years ago and the Trentham plantings are in a similar mode but on a much bigger scale. The earlier photos I had seen of the Trentham terraces had looked a bit bitsy but these have matured to generous plantings that envelop the visitor.

More signature Oudolf than “Floral Labyrinth” and we were a little too early in the season to see its full glory

The Piet Oudolf gardens are styled as the “Floral Labyrinth” – do I detect the earnest hand of the marketing wing of Trentham in that name? Stylistically, they were similar to his work we saw at Pensthorpe in Norfolk on our last visit. Mark describes it as Gertrude Jekyll on steroids – carefully composed clumps of large perennials which will hold themselves up and not require ongoing dead heading, knitted together in a harmonious flow. When I say large, I mean a fair swag of them are shoulder or head height but no taller and a clump may be more than two metres across. We were just a little early for the full glory of peak flower but the veronicastrum and geraniums were lovely and there was plenty of other interest.

Piet Oudolf’s “Rivers of Grass” at Trentham

The Rivers of Grass were charming in a much lower key way. I deduced these were also the work of Piet Oudolf because there is a similarity to the meadow at Bury Court so I was pleased to be proven correct on that. Then I realised that Scampston in Yorkshire also has its Oudolf drifts of grass, though I was unconvinced by that one in a more rigid layout. All seem to use molinia which has a shimmering quality, seen at its best at Trentham on the day we were there, with the subtle inclusion of other flowering plants to add richness.

Dunnett at Trentham

More Dunnett and his Sheffield team at Trentham

The newest plantings are those of Nigel Dunnett and his Sheffield team. The photos tell the story. These are so fresh and deceptively simple. Just a joy. It is the first time I have seen a Sheffield planting that is so tightly colour-toned as the blue border. Consumer demand? Further round the lake, I understand it is more woodland which would have been interesting had the path not been closed because we have only seen Sheffield plantings in full sun so far. What a delight they are. I see their branding is as “Pictorial Meadows” which seems an appropriate descriptor.

The ‘Upper Flower Garden” – oops

What is really interesting on this massive project is that a private business has looked to some of the top designers and practitioners working in the field of contemporary landscape, design and gardening to turn a very old site into a modern attraction. We are lucky indeed that St Modwen, as owners of Trentham, had the vision to go well beyond the obvious Victorian bedding plant tradition. It is a brave decision. If you are looking at a mass market, the reality is that the average Joe or Josie Public is going to be quite happy with bedding plants of the floral clock genre – lots of tidy colour planted in patterns. These are not entirely lacking at Trentham, as witness the “Upper Flower Garden”. I raised my eyebrows at these but I bet poor old Tom Stuart-Smith has to avert his eyes in horror when he stands on this top terrace to get a long view of his plantings out to the lake. But in the hands of a less visionary investment company, this could have been the story of the entire place.

My photos are entirely ‘of the day’ – a snapshot in time. When top-flight plantspeople are given free rein, they are not planting for a small window of time. These are plantings that are designed to take the gardens through the seasons, or at least three seasons from spring bulbs through to autumn colour with a more static picture of winter rest. This is a high level skill but never more so than in public plantings predominantly of perennials, where one planting must gently age and fade gracefully as the next wave of plants takes over. Which is to say that should you visit a month or two months later, the gardens may look very different but should still look as if they are at or close to their peak.

There is a really complex entry charge system, depending on which areas you want to visit (the gardens count as one area). Goodness me, you can even use Tesco Clubcard vouchers (Tesco being a supermarket chain). It is worth looking on line – I found a two for one weekday voucher there though I then felt a bit mean when I used it.

Postscript *I do not want to overstate the evening concerts. In fact I looked at the programme boards and wondered if it was just the one contracted band in different guises. The amphitheatre stage was but modest. Maybe they are catering to a specific local demographic, this year at least? On our last visit we saw Hatfield House in London preparing for a major concert. U2? Or was it UB40? I have waited three years to use my photo of the portaloos at Hatfield. Trentham is not trying that scale of concert at this stage but give them time. I am sure they will be looking at it for feasibility and profitability.

Portaloos at Hatfield House in 2014

Because I had many more photos than I could use on this post, I have added an album on Facebook.

Dear New Zealand, fences do not have to look like this

Dear People,

In New Zealand we must be the world’s leading proponents of the utility, tanalised pine boundary fence. I have written about this before but clearly in vain. The existing fences have gone forth and multiplied. They are appearing in ever greater numbers.  And honestly, they are all equal in terms of the absence of any aesthetic merit.

It is not as if substantial barricades in tanalised timber come cheaply. For just a little more expenditure and effort, it is possible to turn them into something easier on the eye. In the hope of winning over some converts, I keep collecting the occasional example of alternatives. This latest one is from Veddw Garden in Wales so it will not be from tanalised pine, that timber of choice that NZ has made its own. And I concede that it is not constructed from the palings favoured here but from posts which I didn’t think to measure at the time.  Staining it dark and using random lengths makes it considerably more interesting visually, while it fits in with its surroundings.

 

A simple wooden fence at Veddw

It doesn’t take a lot to alter the effect but that attention to detail can make a huge difference in a garden and in the wider environment.

Yours,

Abbie

 

The Missouri Meadow in 2009, 2014 and 2017 (Part 3 of observations on the Sheffield School genre)

The Missouri Meadow in 2009

No discussion on the Sheffield School is complete with the Missouri Meadow at the RHS flagship garden, Wisley. This is the work of Professor James Hitchmough. We first saw it in late June 2009 and it was an absolute highlight of that trip for us. A joy. Inspiring.

The planting was started from seed sown in 2008 so we saw it in its second year. The selected mix had a heavy focus on North American perennials, hence the Missouri reference. It was still low growing and relatively sparse with gravel mulch. It was also completely different to its adjacent plantings – the Tom Stuart-Smith perennial beds that face the glasshouse directly across the lake and the Piet Oudolf twin borders up the slope. That distinction was a defining character of the area.

And again at the same time of the year in 2014

We next saw it five years later in the same month of the year in 2014. It had matured, changed. The juvenile charm had gone but it was still meadow-like with lots of variety and bloom. The demarcation lines had begun to blur as some plants formed sizeable clumps so it was not as clear where the Missouri Meadow ended and the Stuart-Smith plantings started. I think most of the echinaceas had gone. Ain’t that just the way? I don’t feel so bad about our failures to get them established as permanent plants.

And in 2017

Looking at the photos, I think there are lessons to be learned in  terms of the outcome of a very laissex faire maintenance regime. Meadow it may be but whether this is the meadow effect that is wanted is something else altogether. Also the growth habits of the different perennial plants has a major impact Where plants form solid, vase-shaped clumps, such as the day lily and red hot pokers (hemerocallis and kniphofia), over time they morph into a more traditional herbaceous planting where they will dominate more ephemeral plants and choke them out. Plants which gently spread, rather than clump, like the geraniums and achilleas, retain more of a meadow feel in the longer term. Many of these are quite shallow-rooted so they can get out-competed by more determined neighbours. I am no longer clear where the meadow planting by Hitchmough meets the perennial planting of Stuart-Smith so I am only guessing that the kniphofia may be the former and the hemerocallis the latter.

 

2009

2014

Three years on, we were looking forward to seeing the Missouri Meadow again in 2017. Same time of the year (note to self: it is time I booked these trips at a different time of the year). One-Who-Knows warned us that we may be disappointed. I would say more interested, than disappointed.

It wasn’t ALL like this in 2017, but there was enough of it to be a worry

Most of it was no longer a visual delight, though it may well be eyecatching for a few weeks when the aster flowers, turning it into a sea of blue. I am deducing it is A. oolentangiensis, as named on the display board, that has colonised the largest area and is on track to smother everything else out. It would seem a problem for Wisley staff in that they cannot continue to leave the area to evolve because it is in a prominent location, taking up substantial space. Garden visitors are more likely to judge on immediate appearances than take an interest in the evolution of a naturalistic planting. The inclusion of this aster in the original mix appears not to have been a good long-term decision for the conditions and climate at Wisley. I wonder if it has been dropped from subsequent seed mixes from the Sheffield School?

Of course there is trial and error in this new wave gardening and that is one of the roles taken on by the Royal Horticultural Society in collaboration with others. Mark observed that the whole area had been in for nine years, requiring very few resources and, seemingly, little maintenance. If it needs a major reworking once a decade, that is still a lot less input than more traditional perennial plantings in herbaceous borders.

As I understand it, the aim of the Sheffield School is to create self-sustaining eco-systems that don’t require even that level of intervention. It will be interesting to see whether the higher proportion of grasses at Olympic Park overwhelm the pretty perennials over time or whether the current balance is maintained. The extensive recent plantings by Hitchmough’s colleague, Nigel Dunnett, at Trentham Park are currently at the show stopping stage of gorgeousness. More on these in a post to come. No doubt the experience gained from the Missouri Meadow will have been applied to these newer plantings in some way or another. And we will continue to follow with interest what the Wisley staff decide to do with their earlier example of a managed meadow of predominantly American perennials.

The Dunnett plantings at Trentham Gardens are like a pointillist painting from the Impressionist era at this time

There is a quandary in gardening: when you have a style that looks its most appealing and delightful when juvenile, do you commit to returning that area to its juvenility from time to time in the ongoing attempt to recapture the charm? Wisley is not alone in having that problem. I see domestic gardeners do it all the time – hacking back shrubs like azaleas and camellias to ground level to encourage them to “come again” amongst other examples of gardening brutalism. We lean more to celebrating maturity and moving on, probably in life as well as gardening.

Will the Missouri Meadow be developed further or should it be wiped and resown to achieve that early charm again?