Tag Archives: Abbie Jury

Contemporary Gardens of New Zealand by Carol Bucknell, photography by Sally Tagg

Twenty three gardens by twenty one New Zealand designers – this book has certainly prompted a great deal of discussion here over the past couple of weeks. There is a heavy bias towards high budget properties with stunning views in or around Auckland, often with hard-edged modern, architecturally designed houses. The response is dominated by hard edged, angular gardens, pared back planting schemes largely stripped of colour and heavily dominated by native plants. Water features and swimming pools abound, usually with wet edges of the infinity style (so that the body of water melds into the sky or sea in front) and sometimes with the water lapping at the walls of the house. Generally, there is little evidence that the property owners want to garden themselves. Most want an exterior which will complement their homes, their lifestyle and, apparently, the environmental context of the property.

Two things stop this book from being any more than one for the coffee table book. One is the absence of critique or interpretative commentary. It is a showcase presentation of a narrow selection of modern NZ garden design. The second is the actual design of the book. Unfortunately, the decision was made not to caption the photographs. This of course gives a very clean, some might say contemporary, look to the book but it is not a lot of help to the reader. This is even more so where four photographs are placed on a page with no borders separating the images. We know they are artsy because sometimes one or two are in black and white and sometimes they are cropped so heavily that you are not even sure what the detail that is shown is. Sometimes features referenced in the text are not illustrated in the photographs and it takes frequent flicking backwards and forwards to try and match text to photograph. Given the calibre of the photographer, this almost certainly comes back to the book designer, as does the photo selection.

From the point of view of the reader and given the reportage style of most of the writing, showcasing the photographs with extended captions instead of wodges of descriptive journey around the properties might have integrated text and illustration better.

Sally Tagg is vastly experienced in garden and plant photography. She doesn’t cut corners and the photography throughout is of a very high standard. The author, Carol Bucknell, has faithfully recorded each garden and gives the landscaper’s framework for the decisions behind the design and construction of each. It makes an attractive coffee table book but is unlikely to contribute much to the garden history of NZ.

Contemporary Gardens of New Zealand by Carol Bucknell, photography by Sally Tagg. (Penguin; ISBN: 978 0143 56694 6).

For more thoughts on the topic, related more to the ideas than the book, check out: Modernist gardening, modern gardens and contemporary design

First published in the Waikato Times and reprinted here with their permission.

Garden lore

Subjugated gardens abound, and I can see why. Unless discipline is maintained from the moment the spirit-level is laid across the earth, you are nourishing a vast, tactile, heavy-scented siren which will keep you forever in its thrall.

Hortus by Mirabel Oliver (1990).

Choosing plant containers

While round bellied pots are often more pleasing to the eye, you will save yourself a lot of trouble if you only plant short term annuals or leafy plants in them. More permanent woody plants fill up the space with dense packed roots and it becomes very difficult to extract them for repotting when the root mass is larger than the opening at the top of the pot. All container plants need repotting at least every two years to stay in optimum health (and who wants an unhealthy looking container plant on display?) but to extract one from a round belly pot requires cutting the roots with a knife until you have it small enough to pull out. Too often you can end up breaking the pot. Straight sided vase shapes or cylinders are a much easier shape to work with for woody plants.

First published in the Waikato Times and reprinted here with their permission.

Garden lore

Garden radishes are in wantoness by the gentry eaten as a sallad, but they breed but scurvy humours in the stomach, and corrupt the blood, and then send for a physician as fast as you can.

The Compleat Herbal by Nicholas Culpeper (1653).

Spring planting – NOW

If you have not planted out your summer garden, now is the time to panic. An unseasonably cool spring may have led many to delay, but delay no longer because the official start of summer is a mere two weeks away. Top priority needs to be given to the plants which require the longest growing season. This includes capsicums, aubergines, both rock and water melons, kumara and even tomatoes. Starting with plants now, rather than seed, is advisable to get a jump start this late in the season. Other techniques are to plant in black plastic (which heats up the soil faster) and to use a cloche for the early stages because this heats up the air around the plant to encourage growth.

Ayrlies, by Beverley McConnell

The subtitle of this book is “My story, my garden” and that pretty much captures the flavour. These are Bev McConnell’s memoirs and as both the author and her garden reach maturity, the timing seems entirely appropriate. Her garden, Ayrlies, is located at Whitford, south east of Auckland and over the past 40 years, both the garden and the gardener have earned a leading position. This is a book about a garden, not a gardening book as such. The author writes about her own experiences and while there is wisdom and advice contained in the text, it is not a manual or a reference book.

I have not read anything written by Bev McConnell before, so it was a pleasant discovery to find that she has an easy and very readable style. She is disarmingly frank, almost alarmingly so at times. Given that this substantial and beautifully presented hardback extends to 270 pages, it is just as well the text is engaging. The many photos cover from her early family life in Wairoa (a wonderful photo of her standing on her tricycle seat as a little dot around 3 or 4), through the stages of her adult family life and the development of a bare patch of dirt into the large and handsome garden that is now known as Ayrlies.

In the New Zealand garden scene, Ayrlies is unusual in that it has had skilled labour employed from the start while the owner has kept complete control of the design, the planting and the management and has been an active participant at all stages. It is more common in this country for the major private gardens to have been established on the smell of an oily rag without any permanent staff at all, or, in more recent times for a wealthy owner to have handed over the whole project to a landscaper and crew. Bev McConnell has as much dirt beneath her finger nails as any of the staff she has employed over the years, but she has been able to realise her visions with extra input. It is an enviable position to which she has responded by taking an active role in encouraging others to lift their own standards of gardening. Her own garden is as much about interesting plants and good combinations as it is about design. She has kept her focus on the beguiling complexities of good planting, demonstrated so ably by Beth Chatto in England whom she acknowledges as a major inspiration.

The chapter on her huge wetlands project is particularly interesting and it may be that this will prove to be one of her great legacies over the coming decades.

Ayrlies, by Beverley McConnell (Published by Ayrlies Gardens and Wetlands Trust; ISBN: 978 0 473 21451 7)

First published by Waikato Times and reprinted here with their permission.

The generosity of some gardeners and the vandalism by non gardeners

I smile each time I pass a property down our road. The frontage is a froth of flowers for much of the year. There is nothing choice. Most of them are common enough daisy bushes and pelargoniums which balloon out onto the road verge. It is just a delightful picture for the passing motorist – it being in a position where there is no foot traffic. What makes it a little bit special, to my mind, is that the sole reason for this planting is to bring pleasure to passersby. From my vantage point on the road verge, it looks as if the property owner would not really see this particular planting from their house windows or indeed from inside their garden. That shows a generous gardening spirit, in my opinion.

The contrast to the bleak hillside on the edge of my local town could not be more extreme. Until about two years ago, this hillside was fully planted in mixed trees and shrubs, many of which were flowering varieties. I am guessing the property was sold and that it was the previous owners who had planted it up two decades ago. We always enjoyed the roadside view, particularly because at the bottom, it had a well established specimen of our Magnolia Vulcan which the owners must have planted in a prominent position not long after we released it on the market. Being in town, the air temperature tends to be a degree or two warmer so this Vulcan would come into bloom every spring just ahead of the time it opens in our own garden. It was such a feature and was on the way to becoming a mature specimen.

Cleared entirely and left to weeds and erosion

Cleared entirely and left to weeds and erosion

The hillside is too steep to garden intensively or indeed to mow or graze, and it lacks sufficient space to be terraced so there is very little that can be done with it beyond establishing permanent plantings. It took a lot of plants to cover the area but over twenty years, they had grown to give an attractive cover which had knitted together in a patchwork of colour, foliage and flowers. It would have stopped most of the weed growth below, prevented the risk of slipping in rain and given an attractive drive in to reach the house at the top. It would also have required very little maintenance yet it brought a great deal of pleasure to passersby who stood to benefit the most. The house, perched on the top, looked over the plantings.

It must be two years ago now that I drove past as the hillside was being stripped. By stripped, I mean every tree and shrub was removed, even the Magnolia Vulcan at the base of the hill. My heart sank but I thought they must have plans to develop the property differently. Not so. After two years, all that remains are weeds, rank grass growth and clay. But wait – a billboard has appeared, advertising loans at 11.9% to people who cannot afford them to buy new cars. It’s a destructive travesty.

My guess is that new owners moved in and found the shrubs at the top of the slope were starting to block their soaring views across the town and maybe distant views of the river and sea. You have to understand that these are soaring views of a former freezing works town which is not noted for the beauty of its architecture. Rather than seeking advice as to how to frame views, to establish view shafts and to thin or selectively remove problem plants near the top of the slope, they went in and cleared the lot from top to bottom. Believe me, the house will have unimpeded views (and wind) at the top and the owners may never realise how much pleasure people used to receive because of the generous gardening spirit of the previous owners.

Fortunately, this planting facing State Highway 3 still grows and blooms

Fortunately, this planting facing State Highway 3 still grows and blooms

Fortunately a similar planting alongside the state highway survives. A different owner with another difficult slope of some area, she planted it around the same time. Many rhododendrons, camellias and flowering cherries grace this hillside along with a large specimen of Magnolia grandiflora at the base of the slope. Very little of it will be visible from the house and again it is relatively steep. It too has billboards but in this case they are faded old ones promoting the activity of golf, rather than the town’s newest finance company. Every day thousands of motorists pass the boundary and for three months in spring, many of them will notice seasonal blooms and maybe it will bring a smile to their day.

To me, that sets a standard for generous gardening, way beyond the sharing of cuttings and divisions. With no expectation of admiration or appreciation, these good folk create beautiful plantings in areas where they can see little from their own homes or outdoor living spaces. They are there to be enjoyed by passing strangers.