Tag Archives: Abbie Jury

Garden Tours. A Visitor’s Guide to 50 Top New Zealand Gardens

The first thing I did on receiving what claims to be a garden visitor guide was to look at the contents to see who was included. There were some… ‘interesting’ inclusions and indeed exclusions. The entire east coast from Hawkes Bay to Poverty Bay has been bypassed.

The second thing I noticed is that a number of the public gardens got to write their own text which seemed an interesting authorial and editorial decision in what purports to be a guidebook – ergo independent.

Five minutes. It took just five minutes of dipping in to the book to realise that at times the author was writing about places she had not visited. I phoned a few friends whose gardens are included and they confirmed that she had never been there, a point not disputed by the publisher when queried. She carried out interviews by long distance phone calls and email from her UK base. No matter how hard you try (and the author has worked hard on this book) you can only tell so much from photographs and it was her failure to get to grips with matters of scale and proportion that alerted me to the fact she had only ever seen photos of some of the gardens at least.

In fact if you read the intro, the starting point for the book was the photo library of UK photographer, Steven Wooster. The author also makes the telling comment: “…each (garden owner) has approved the text written about their garden”. So much for independent commentary, then. It is still a mystery to me how she can write over 2000 words (10 pages including photos) on some gardens which I suspect she may never have seen in person. Others are much briefer – presumably the owners were less forthcoming on the phone.

So, had we been approached to have our garden included in this book, how would we have responded, knowing that the author had never visited? We would probably have agreed. What is not to like about free publicity written with the appearance of great authority when you even get to approve the text before publication?

The photographs are patchy. Some are lovely. Too many are not, where the light and shade are all wrong and the shadows too deep. Some of the selections fail to give a full picture of the garden and some fail to connect with the text – a problem which results from using existing photos as the starting point. I recognised some photos from earlier use in other publications.

The bottom line is that this book should have been called: “Fifty NZ Gardens I Have Visited” by Steven Wooster (he at least did visit all of them) with Michele Hickman. To publish it as a visitor guide is outrageous. Would you expect to buy a guide to 50 top restaurants where the author had not visited them all but had written the text and had it approved by the restaurant proprietors? Of course you wouldn’t. The same goes for 50 Top Wines or 50 Top B&Bs. So why would you want to pay $49.99 for this one on gardens?

Does it matter? Well, yes it does if I can pick it up within five minutes of starting to look at the book. And saddest of all, was the resigned acceptance I heard from some other garden owners. “It shouldn’t happen, but I guess it does.” Why do we settle for so much less when it comes to garden writing?

Postscript:

The author writes of one garden that it “… stands as a welcome rest from the sometimes anxious quest to make the definitive New Zealand garden, spurning the temptation (italics mine) to realise its European formal outline in native plants and minimising the contrast (or compromise) of English garden style which marries informality with formality.”

That passage is certainly packed with judgements. I have yet to find myself surrounded by angst-ridden gardeners frantically clipping, shaping and pleaching native plants. Cos, like, that’s just such a cliché these days, innit? Can there really ever be such a thing as a definitive New Zealand garden? Many might think that softening the austerity of a stark formal garden is a considerable enhancement, not a compromise. And is the only English style that is to be acknowledged the Arts and Crafts genre? English gardening embraces so much more. How about Capability Brown and landscape gardening on a grand scale? Woodland gardening? Naturalistic gardening?

Of another: “… a garden which showcases the genre with brio. The entranceway… announces the dramatic change of register to full-on subtropicalia.” Subtropicalia? Really? I admit I thought brio was a typo until I googled it – a musical term denoting vibrancy. Or something.

I have been to both these gardens. I wonder if the author has.

Garden Tours. A Visitor’s Guide to 50 Top New Zealand Gardens by Michele Hickman, photography by Steven Wooster. (Random House; ISBN: 978 1 86979 992 2) Reviewed by Abbie Jury

Garden lore

A partial quote this week, relevant to changeable spring weather, which I noted some years ago from none other than Billy Connelly: “There is no such thing as bad weather,” he boldly asserted on television. He went on to blame television weather presenters for continually referring to sunny days as “good” and rainy days as “bad”, causing depression in people who live in high rainfall areas.

“There is no such thing as bad weather. There are only the wrong clothes.”

Tikorangi The Jury Garden

The time to hard prune camellias and rhododendrons is running out so do it right now before spring advances further. That way, the plants will still be able to flush with new growth on what remains. If you leave pruning and shaping camellias too late, you end up cutting off most of next year’s flower buds. However, you do have to sacrifice this year’s rhododendron flowering if you are wanting to cut plants back hard. If you leave it until after blooming, you are more likely to kill the plant instead. Timing is of the essence. Birds are nesting so check before you murder their babies as collateral damage with your pruning efforts.

Published in the Waikato Times and reprinted here with their permission.

Repetition – unifying a garden or downright dull?

A surfeit of renga renga lilies repeated throughout your garden is highly unlikely to unify it

A surfeit of renga renga lilies repeated throughout your garden is highly unlikely to unify it

How often have you heard the advice to repeat the same plant in your garden to achieve continuity? It has almost achieved truism status though I would argue that this is one piece of so-called garden wisdom that too few people ever question. In fact I would go so far as to suggest that you are better to cast that piece of clichéd advice out to the wilderness and ignore it.

I don’t know where it originated, though I would hazard a guess it was from within the landscape sector. Now it is just repeated mindlessly as a golden rule.

The first time I was aware of a plant being repeated through a garden was with Dahlia Bonne Esperance. It is a baby dahlia with pink daisy flowers and increases readily (lights should be flashing here for you, dear Reader) and it featured throughout this person’s garden. Far from giving continuity, in fact it looked like a cheap, gaudy dot plant (as in dotted around everywhere). Therein lies the problem. When the advice is dispensed so glibly that you should repeat a plant to give continuity, there never seems to be any corresponding advice as to what types of plant are most effective. And in the absence of such advice, too many gardeners fall upon an option that is cheap to start with and easy to increase.

Acanthus mollis or bears' breeches - too close to weed status to be a desirable repeat planting

Acanthus mollis or bears’ breeches – too close to weed status to be a desirable repeat planting

I am sorry to say that many plantings of renga renga lilies are not going to enhance and unify your garden. The same goes for mondo grass, liriope, catmint (nepeta), the dreaded aluminium plant (lamium), common hostas which bulk up readily, Acanthus mollis, or Ligularia ‘Britt-Marie Crawford’. They are just going to look boring and repetitive when used again and again throughout.

Truly, you can have too much, even of a good thing. I have seen gardens which suffer from the ABC syndrome (another bloody clivia), or the oh no, TMBBH trait (too many big blue hostas). You need a deft hand and very good eye to make it work well.

There may be a difference between large and small gardens here. It is a long time since I have had a small garden but I can see that restricting the plant palette and using a repeating motif could help mitigate the bitsy effect so many gardens suffer from. But if you are determined to repeat a plant, try and make it a choice one. Trilliums are good. Paris, too. Though there is a possibility that the originator of the recommendation was thinking more in terms of pencil cypress or topiary yew – a woody plant rather than a perennial. I am fairly sure he or she was not thinking of Dahlia Bonne Esperance or renga rengas.

In a large garden, hmmm. As far as I am concerned, a large garden succeeds better when it has distinct changes of mood and style. To repeat a plant or plants throughout renders it too much the same and that is when large gardens become rambling, indistinct, and not very memorable. Unless you want to be remembered as, “Oh, that was the garden with all the orange clivias/acanthus mollis/buxus hedging/catmint/day lilies.” (Strike out those which do not apply.) We prefer to aim for different groups of plants in different areas, rather than mixing and matching throughout or streaming one particular plant through the lot.

That said, there are exceptions. We are steadily drifting English snowdrops throughout (on the grounds that you can’t have too many fleeting seasonal wonders and they are satisfyingly compatible with most situations – and transient, not year round). Mark has observed before that it is rhododendrons that form a backbone of continuity to our garden. But it is not just the one rhododendron that we have repeated. While we favour the nuttalliis (the rhodo equivalent of trilliums, one could say), we have multiple different varieties used in different combinations throughout. I don’t think that is what is meant by repeating a plant for continuity.

If I have failed to convince you that the interest in a garden lies in different plant combinations, interesting plants and variety, then I would at least make a plea for considering seedling variation. Mark and I looked at a planting in a garden – a hillside of red rhododendrons all the same. They will be showy in flower and look unified in conformity when not in bloom. They are also, to our eyes, dull, utility and public sector amenity planting (and it was a public garden too). What sets a private garden apart is the opportunity and scope to detail such a planting. Had it been done in seedling raised rhododendrons (collected from the same parent plant), there would have been the overall unity but subtle variation to add interest. The same goes for a range of plants – from pohutukawa to hostas. Raising them from seed takes time but gives interest and detail which is lacking when you order in a mass of one plant only.

But then we never have been fans of mass planting and massed display. The devil may be in the detail but so is the gardening interest.

If you are determined to unify through repeat planting, at least pick something with bragging rights - desirable dark red trilliums, perhaps

If you are determined to unify through repeat planting, at least pick something with bragging rights – desirable dark red trilliums, perhaps

First published in the Waikato Times and reproduced here with their permission.

Tikorangi Notes: Friday 7 September, 2012

Just another unnamed seedling, as we say here

Just another unnamed seedling, as we say here

Latest posts:
1) Repeating plants throughout the garden – does this unify the garden? Maybe not….
2) Magnolia Burgundy Star – a useful fastigiate form and great red flowers.
3) Garden lore – a quote on colour from Edward Augustus Bowles, possibly even more relevant now than in 1914 when he wrote it. And this week’s handy hint on boiling water instead of weedkiller.

The mid season magnolias are simply magnificent. While there is an abundance of other seasonal colour in the garden – flowering cherries, spring bulbs left, right and centre, camellias, Kurume azaleas, hellebores, early rhododendrons, even humble little polys and prims – the magnolias hold centre stage. The early varieties have all been, done and gone now. The mids are at their peak, the late varieties are opening. If you have been planning a visit to see the magnolias, you might be wise not to leave it much longer past this weekend.

More Iolanthe

More Iolanthe

Tikorangi Diary Friday August 31, 2012

There is rather a lot of Iolanthe looking glorious

There is rather a lot of Iolanthe looking glorious

It is magnolia time here. All the mid season varieties are opening now, including the original Iolanthe beside our driveway. As this tree now measures over 15 metres across, there is a whole lot of Iolanthe on display. If you are planning a garden visit to see the magnolias, do not delay. Our garden is open every day. If we are not around, there is an honesty box.

LATEST POSTS
1) Plant Collector this week is Corylopsis pauciflora – a dainty primrose yellow witch hazel which is but a fleeting seasonal wonder here, though delightful while it lasts.
2) Move over Martha Stewart. The new generation has come of age in the world of gardening and lifestyle. Lynda Hallinan’s book on a year of country living is a cracker.
3) Garden lore this week – a quote from Anne Raven on the frustrating nature of a day’s gardening and some advice on using wood ash as fertiliser.
4) More feeding tui, this time in Prunus Te Mara. Another brief YouTube clip.

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