The Jury Camellia Legacy

First published in the Royal Horticultural Society’s 2014 Journal of Rhododendrons, Camellias and Magnolias

Camellia Water Lily (Felix Jury)

Camellia Water Lily (Felix Jury)

Long before the Jury name became associated with magnolias, there were the Jury camellias. There are rather a large number of these because there were actually two Jury brothers breeding them at the same time and a market which was very keen on new releases. These days we find that most of the Jury camellias are attributed to Felix when in fact the lion’s share was bred by his older brother, Les Jury. In his later years through to the 1980s, Les Jury had the greater reputation, partly because he entered an arrangement with the powerhouse nursery, Duncan and Davies, to distribute his material internationally. They took over the material from his breeding programme and continued to name and release cultivars well after his death.

By the time Mark Jury (Felix’s youngest son) showed an interest in 1980, Les Jury was elderly. He had little contact with Felix but was particularly encouraging to Mark, giving advice and making suggestions.

This made three Jurys on the quest for new camellias at the time of their heyday in New Zealand. In camellia terms, these were heady times. Only roses ranked higher in popularity, measured by sales volume. It was a rare garden in this country that lacked several camellia plants. This meant there was a substantial local market. In addition to that, there was considerable interest from overseas, particularly the USA, and both Les and Felix picked up awards. Camellia societies were very strong and both men were active at local and national level.

At the time when Les and Felix started breeding camellias, the range was dominated by large old varieties of Camellia japonica which grow so easily throughout New Zealand. Alas many of these don’t like the bright sun and the foliage can turn yellow. Worse is their failure to shed spent blooms so they are often covered in a mass of pink, red or white flowers interspersed with sludgy brown. Examples of these early japonicas can still be found, particularly on abandoned rural house sites where nothing survives but the house chimney and huge old specimen camellias.

Camellia Jury's Yellow (Les Jury)

Camellia Jury’s Yellow (Les Jury)

Nowadays, we wouldn’t even consider naming a camellia unless it was self grooming (the term used to describe dropping spent blooms) but it was a breakthrough fifty years ago. It was the extensive use of C. saluenensis that brought this characteristic to the fore. In addition to that, Les Jury liked large, showy flowers in abundance and was keen to extend the colour range. With the passage of time, he is probably best known for ‘Jury’s Yellow’. It isn’t a true yellow camellia but it came before the yellow species were even known to the west. Mark remembers him talking about his theory that he could get the stamens to bleed colour into surrounding petaloids and that is what he achieved in ‘Jury’s Yellow’ – a white camellia with pale yellow petaloids in the centre. Had Camellia ‘Sir Victor Davies’ been a better growing shrub (and given a more appealing name but it was labelled thus by Duncan and Davies management after Les’s death), he might have been similarly remembered for one of the early purple breakthroughs. I am particularly fond of his ‘Antique Charm’ which moves pink along the colour spectrum towards apricot. I should comment that Les gave this cultivar to Mark under the name of ‘Antique Rose’ but the Camellia Nomenclature only records ‘Antique Charm’. Alas there is nobody left to clarify whether they are one and the same.

Camellia Dream Boat (Felix Jury)

Camellia Dream Boat (Felix Jury)

Felix Jury also looked for self grooming characteristics and large flowers and he had a love affair with the formal shape. His most enduring cultivars fall into that category – ‘Water Lily’ was an early selection and is still around but it was ‘Dream Boat’ that seemed to capture the imagination of the gardening public. The incurved petals of the latter give it a distinctive appearance. We rate his ‘Mimosa Jury’ as probably the most beautiful flower he named. It is a very pretty shell pink and shows good weather hardiness in our conditions. Added to that, it has a particularly long flowering season. Felix clearly liked it because it is named for his wife (although equally, it may have been she who laid claim to naming rights).

‘Rose Bouquet’ is another that has stood the test of time. It has an abundance of large blooms which are rose form and rose coloured. It has been described as the closest thing in appearance to an herbaceous peony that can be grown in our climate.

Camellia Itty Bit (Felix Jury)

Camellia Itty Bit (Felix Jury)

Arguably, ‘Itty Bit’ was the most significant breakthrough from Felix Jury. Most of the japonicas and the hybrids that Les and Felix named grew to be substantial plants. After a few decades, some of the original plants are sitting around the four, five or even six metre mark in our conditions. As town gardens shrank in size, the demand grew for smaller growing plants. ‘Itty Bit’ was a breakthrough – miniature flowered and miniature growing. It has never reached more than a metre to a metre and a half, though there are sister seedlings here that are substantially taller. This is less desirable in colder climates because this type of plant is just too slow to grow, but in this country, camellias that flowered profusely but stayed small and developed a natural bonsai form opened up new possibilities for use as garden plants.

The plant world is as driven by fashion as any other sector. By the time Mark started breeding camellias, he was reading the signs that the market wanted an abundance of small flowers on smaller growing plants. The love affair with the japonica was waning and New Zealand gardeners were working out that many of miniature flowered varieties then available grew into huge plants. The first project Mark undertook was saturation coverage of an established C. pitardii in a nearby garden but he was also after scent. He was reasonably dismissive of his first selection – Camellia ‘Fairy Blush’. While he rated it as a pretty little flower with good scent, it was open pollinated, not a controlled cross. The seed came from C. lutchuensis and appears to be a cross with C. pitardii.

Camellia Fairy Blush (Mark Jury)

Camellia Fairy Blush (Mark Jury)

Even today, twenty years after we released it, we still regard ‘Fairy Blush’ as the one that got away from us. If we knew then what we know now, we would have applied for plant breeder’s rights. It is particularly galling when Australian nurserymen tell us how well they do out if it. The realisation that it shows no ill effects from petal blight is an added virtue. Being small leafed with red new growth, satisfyingly fragrant, and with an extraordinarily long flowering season of several months, ‘Fairy Blush’ has many positive attributes. We find it makes a particularly good hedge, clipped to about 120cm.

Camellia Volunteer (Mark Jury)

Camellia Volunteer (Mark Jury)

Ironically, the second most successful selection of Mark’s was another chance seedling. ‘Volunteer’, as he is wont to say, volunteered itself. It was amongst the root stock to be grafted when it first bloomed and it was clear that it was something different. The solid flower is a pretty white and pink bicolour at the start of the season, deepening to a white and red combination as the season progresses with late flowers having the same anemone form but in red with no white. It is clearly a japonica and was named for the United Nations International Year of Volunteering in 2001.

Of his controlled crosses, ‘Jury’s Pearl’ is probably the one that has pleased Mark the most. The cream to palest pink flower has an opalescent glow which lights up dark areas of the garden and the peony form means it is a pleasingly full flower.

Camellia Jury's Pearl (Mark Jury)

Camellia Jury’s Pearl (Mark Jury)

Mark was in full flight hybridising camellias and had named and released eight different cultivars (now ten with two recent additions) when the news came that petal blight had reached New Zealand. We both remember the day, about twenty years ago, when senior members of the local branch of the Camellia Society arrived unannounced to break the news. Mark understood instantly what it meant. He stopped working with camellias and turned his attention to michelias (now magnolias) instead.

It took a year or two for Ciborinia camelliae to arrive here at Tikorangi. We collectively held our breaths and hoped that it would only affect late season blooms but it has settled in to making its appearance at the end of May or the very beginning of June which is the start of the season for all but the sasanquas. The effect has been devastating and cut the floral display substantially. Controls are not practical. Petal blight is a fungal spore which appears to travel unimpeded at least 5km in the air. The camellia is such a ubiquitous plant in this country that even if we could clear our own property, we would get reinfected from the neighbours. It was apparent we had to learn to live with it. Alas the worst affected types are the large flowered, show blooms so valued by both Les and Felix Jury. To keep a good display on these types of camellias, we have to groom the plants. The sought after characteristic of self grooming doesn’t apply with petal blight. The flowers stay solid, turn mushy brown and hang on unless removed by hand. This type of grooming is not a problem if you only have one or two plants but we have hundreds. Camellias here are used as utility hedging plants (both clipped and casual), wind breaks, small trees, back of the border fillers, topiary, clipped feature plants both large and small – they are wonderfully versatile in our conditions and we have too many to groom.

Only now, after two decades of petal blight, is Mark turning his attention back to camellias. We have not found any evidence of camellia petal blight on any of our sasanquas. Red blooms carry the disfigurement better. But above all else, the stars are the miniature flowered types which set a mass of flower buds over a very long period but where each bloom is short lived. It is not that they are immune, though some show a level of resistance. It is just that the individual blooms fall before they are taken out by the blight so the floral display remain clean.

Camellia Roma Red (Mark Jury)

Camellia Roma Red (Mark Jury)

In fact ‘Fairy Blush’ probably remains the very best camellia performer we have in the garden. It may forever be the one that got away from us but it is also the marker by which we will measure the next generation of camellia hybrids bred for the post Ciborinia camelliae era. I recall the customer who asked: “You know how Fairy Blush flowers from April to September? Do you have one that flowers from October to March?”. “What? A camellia?” I replied. “Yes,” she said. Such a question ranks alongside those customers who, looking at a plant in flower, ask: “Does it come in any other colours?”

Camellia Pearly Cascade (Mark Jury)

Camellia Pearly Cascade (Mark Jury)

Les Jury cultivars

As there are at least 71 registered cultivars attributed to Les (not including variegated sports), it seems excessive to list them all. Not all are significant and even fewer are still commercially available. Full details are available in the Camellia Nomenclature. A short list of his more popular cultivars would include ‘Anticipation’, ‘Avalanche’, ‘Ballet Queen’, ‘Debbie’, ‘Elegant Beauty’, ‘Jubilation’, ‘Jury’s Yellow’ and ‘Les Jury’.

Camellia Mimosa Jury (Felix Jury)

Camellia Mimosa Jury (Felix Jury)

Camellia Rose Bouquet (Felix Jury)

Camellia Rose Bouquet (Felix Jury)

Felix Jury cultivars
Debbie’s Carnation (saluenensis x japonica ‘Debutante’)
Dream Boat (saluenensis x japonica ‘K.Sawada’)
Dresden China (saluenensis x japonica ‘Joshua E. Youtz’)
Itty Bit (saluenensis x Tiny Princess)
Julie Felix (saluenensis x japonica ‘Joshua E Youtz’)
Mimosa Jury (saluenensis x japonica ‘K Sawada’)
Pearly Shells (saluenensis x japonica ‘K Sawada’)
Red China (reticulata ‘Trewithen Pink” x reticulata ‘Cornelian’)
Rose Bouquet (saluenensis x japonica ‘Tiffany’)
Softly (saluenensis x japonica ‘Joshua E Youtz’)
South Seas (saluenensis x japonica ‘C M Wilson’
(Spencer’s Delight an early saluenensis x japonica hybrid never put into commerce, as far as we know)
(Tiny Bit An ‘Itty Bit’ sister seedling never put into commerce although the original remains a fine specimen by our back door)
Waterlily (saluenensis x japonica ‘K Sawada’)

Camellia Fairy Blush (Mark Jury)

Camellia Fairy Blush (Mark Jury)

Mark Jury cultivars
Apple Blossom Sun (pitardii var pitardii open pollinated)
Cream Puff (pitardii x ‘Tiny Princess’)
Fairy Blush (lutchuensis open pollinated)
Gay Buttons (tinsie x ‘Snowdrop’)
Jury’s Pearl (pitardii x ‘Tomorrow’)
Moon Moth (C.pitardii var.pitardii x C.japonica ‘K. Sawada’)
Pearly Cascade (C. pitardii hybrid)
Purple Pompom (‘Fuyajo’ x ‘Zambo’)
Roma Red (tinsie x ‘Dream Boat’)
Topiary Pink (pitardii seedling)
Volunteer (japonica seedling)

Garden Lore Friday 25 April, 2014

“It is something of an urban myth that a worm will be perfectly happy if you cut it in half. It may continue to wriggle for a while (so would you after you had been shot or stabbed) but it will die not long afterwards. Only if you nip off just a little of its tail end does it have the capacity to repair itself.”

The Curious Gardener’s Almanac by Niall Edworthy (2006)

048Garden Lore

Today’s Lore is brought to you from an intensely irritated husband here who despairs at the ongoing affectation of referring to “worm wees” and “worm poos”. We are not juveniles struggling with potty training though I guess we should perhaps be grateful that we have not yet descended so low as to talk about worm “number ones” and “number twos”. Worms do not urinate and defecate in the same way as humans. Perish the thought, we would not want to put our hands in the soil. What worms produce is correctly referred to as vermicasts or worm casts. They pass the soil and decaying vegetation through their gut and in so doing aerate the soil, create better drainage and make the nutrients more accessible to living plants. The resulting vermicasts are rich in accessible potassium, phosphorus and nitrogen. Can we cast out the baby talk now that we grown up gardeners? Please.

Sydney daughter lives in a local authority zone that, in return for attendance at a free half day course, supplies free of charge to inner city residents either a worm farm or a compost bin. The choice is dependent on what best suits the individual’s circumstances. It seems an innovative initiative to tackle the huge problem of urban household green waste. I have not heard of local authorities following suit in this country.

First published in the Waikato Times and reprinted here with their permission.

Outdoor Classroom: Sowing seed in trays

Photo 11) Sowing seed should save you money, especially with vegetables and annuals and it is also the way of getting plants which may not be available otherwise – such as dwarf daffodils, English snowdrops or rhododendron species. We use polystyrene mushroom trays which we have been continuing to use for up to 20 years. Wooden or plastic trays can also be used but you need around 10cm in depth and plenty of drainage holes. Egg cartons can be used for quick turn around crops such as lettuce or peas. You can also reuse the punnets that come from garden centres. Mark likes small individual pots for vegetables.
Photo 22) It is preferable to use proper seed raising mix which has less fertiliser in it than potting mix because fertiliser can burn young plants. These mixes are sterile, so you know when you see shoots that it is your seeds germinating. You can use garden soil if you want to but coarsely sieve it first to get rid of larger lumps and you need some fine sand or similar to sprinkle over the seeds on top. A home made sieve is fine. You can’t use unwashed beach sand because plants don’t like salt. A bag of seed raising mix is easier and goes a long way so is not expensive.
Photo 33) When filling with mix, tamp it down to get rid of air bubbles by pressing on top of the tray. If you are using egg cartons or individual cells, sharply rap the container on a hard surface to get the mix settling further. However, if you are using garden soil, don’t compact it.
Photo 44) Large seed can be hand placed but fine seed is traditionally tapped out of the hand as shown in the photograph or dispersed in small quantities from a piece of folded paper. It can also be dispersed by pinching it between fingers like salt.
Photo 55) Spread a thin layer of mix on top of the seeds. The smaller the seed, the lighter the covering but almost all seeds need a complete cover (primulas and rhododendrons are an exception. These are surface sown – ie not covered). Water carefully. A misting bottle (a well-washed window or shower cleaner bottle with a pump spray) is ideal for fine seed. A watering can with a fine rose to disperse the water is also good. Don’t flood the seeds.
Photo 66) Label the tray. We favour a soft pencil and hard plastic labels which we scrub and reuse for years. Pencil lasts longer than marker pen and is easier to clean for reuse. Precious, fine seed can then be covered with a protective sheet of glass. Stretched plastic can also be used. Until seeds germinate, place the seed trays out of direct sunlight and in good light. It is usually wise to elevate the seed trays away from slugs and snails or cats who think it is a litter box. Check your seed tray daily for moisture levels but do not scratch around looking to see what is happening. When the seeds have germinated, move the tray to sunny conditions and increase the watering as required.

An Easter legend – the Glastonbury thorn

I went looking for the Glastonbury thorn but it was not to be found at St Mary's cathedral after all

I went looking for the Glastonbury thorn but it was not to be found at St Mary’s cathedral after all

The legend of the Glastonbury thorn seems timely as an Easter story. I started by setting out to find the local specimen at St Mary’s Cathedral in New Plymouth that is reputed to be the Glastonbury thorn, only to find it isn’t. We have our own legends too.

Glastonbury is in the Somerset area of the United Kingdom. The abbey site has had a Christian church on it since the seventh century, but legend takes it back further. One version has Joseph of Arimathea bringing his young nephew, Jesus Christ to Glastonbury where they built the first Christian church at that location. But the Glastonbury thorn tree is attributed to the second visit by Joseph of Arimathea soon after the death of Christ. Reportedly landing in a state of exhaustion, he thrust his staff into the ground on the slope now known as Wearyall Hill. The staff took root overnight and grew into the Glastonbury thorn tree, revered as sacred through the ages since.

Interwoven through the Glastonbury thorn legend, is the more powerful myth of the Holy Grail that Joseph was believed to have brought and buried just beneath the Glastonbury Tor. The Holy Grail of course is the cup used by Christ at the Last Supper and subsequently used by Joseph to catch his blood at the crucifixion. And with the Holy Grail come the legends of King Arthur and the Knights of the Round Table. Glastonbury Abbey is reputedly the final resting place of both Arthur and Guinevere. Sadly, after about 1000 years, they got a bit careless with the remains and when the abbey was sacked and largely destroyed in the 1500s, Arthur and Guinevere’s remains were no more.

But the Glastonbury thorn endured. Not the original tree. It had a bit of a rough history and still has as replacement plants either die, are vandalised or maybe attacked in spiritual fervour. But as the plant does not strike from cutting or grow true from seed, it has to be grafted. And it does appear that the plant has remained true and been distributed for many hundreds of years.

It seems a little mean-spirited to disturb such a wonderful legend with botany. But whatever the truth is about the Holy Grail, it is a fact that that the Glastonbury thorn is simply a variation on Crataegus monogyna that is the common hawthorn of the UK – the fragrant Mayflower. It seems unlikely that Joseph of Arimathea’s wooden staff at the time of his alleged arrival in Britain was fashioned from a plant native to that country. What makes C. monogyna “Biflora” different is that it has two flowerings a year. Its main flowering is in spring but it also puts up a minor second blooming in winter. The tradition of sending a spray of Glastonbury thorn to the monarch at Christmas started back in the time of James 1 at the turn of the sixteenth century and apparently continues today.

These days Glastonbury is probably associated as much with the annual music festival which, despite being timed for the end of June, seems to be a particularly muddy affair. Despite its very early Christian history and even earlier pagan history, or maybe as a result of it, modern Glastonbury apparently now resembles something more akin to Diagon Alley from the Harry Potter stories.

I noticed the wry comments on a BBC New Magazine site from 2012. “The former mayor John Coles tends to the remnants of the thorn. In recent years, people have tied ribbons to it bearing messages, prayers and maybe even spells. Coles removes them. “It takes daylight away from the trunk,” he explains. He also prises out the coins that people have jammed into the bark.”This never used to happen even eight or nine years ago,” he says sadly.The apparent takeover of the town by new age believers disturbs him. “There’s nothing wrong with paganism but there is a certain taste of Satanism as well and I have always regarded Glastonbury as a Christian town.”

Many St Mary’s parishioners in New Plymouth were proud of their Glastonbury thorn until it was revealed that it is Crataegus crus-galli from the eastern states of North America. Apparently it was planted back around 1860 by Archdeacon Govett. This makes it one of the oldest known introduced trees in the province but the Glastonbury thorn it ain’t. This is a bit of a shame as the Cathedral of St Mary is the oldest stone church in New Zealand with its foundation stone having been laid in 1845. It would have been a charming connection back to the Glastonbury Abbey history and legend where the lady chapel is still referred to as ‘Our Lady St. Mary of Glastonbury’. Instead they just have a scrubby but venerable North American species.

First published in the Waikato Times and reprinted here with their permission.

Future New Zealand – the Simon Bridges and National Government vision

This is little Pouri A, up the road. The way things used to be

This is little Pouri A, up the road. The way things used to be

This is what a well site used to look like, in days past. Maybe this is what the Minister for Energy thinks a little bitty well site in a small corner of conservation land will look like. We will hardly notice it is there, will we?

Mangahewa D (photo: Fiona Clark)

Mangahewa D (photo: Fiona Clark)

In fact, a modern well site is much more likely to look like this. Difficult to ignore. But it is not just the well sites that people should worry about. It is what happens if the exploratory well is successful. I realized this week that while I have shown a multitude of well sites, heavy road transport, helicopters even, I have overlooked showing what successful well sites can mean.

Motunui (photo by Fiona Clark)

Motunui (photo by Fiona Clark)

This is Motunui. It is just over 5km down the road from us. It dates back to the Think Big era of the early ‘80s. Now it is back in full production (methanol) and…roaring. We get to hear it some days, particularly when we get the frequent cloud inversion layers. Some think it means jobs and wealth. Shame about the closest neighbours who get unrelenting noise.

Waitara Valley

The Waitara Valley Plant is just over 4.5 km from us, as the crow flies. It is another Think Big relic brought back into production with the current boom. It is also appallingly sited for noise dissemination and impacts on a large number of people. The low frequency noise resonates through the upstairs of our house. Since Christmas, we have gone to sleep listening to the droning hum every night and whenever we wake, the droning hum is still there. The quiet nights of our countryside appears to have gone. We fear this may be permanent noise which resonates through our house despite our double glazing. The prospect is unutterably depressing but how much worse must it be for the many neighbours who live closer?

McKee (photo by Fiona Clark)

McKee (photo by Fiona Clark)

McKee is just over 5.5km up the road from us. We can’t hear it but ALL the heavy traffic passes us. It started life as just a production station but has grown and grown and then grown some more until the area was rezoned industrial. It probably seemed a good idea at the start to locate it out the back in the countryside but locals living nearby or on the sole transport route may beg to differ.

036

This is Turangi A, a few kilometers away heading towards the coast. It is early days yet but it looks to be on track to be another McKee. There is near continual flaring there now, belching black smoke. I keep hearing claims that we lead the way in Taranaki with best international practice. So how come we mandate ongoing flaring when other countries have banned it?

The mistake is to think that there is anyone tasked with planning, should the exploratory exercise be successful. No sirree. It is more a case of: “6 E. Can we place a tick in box 6E? Okay, yes. So 7A – what do they say for that?” And then we get: “Oh, they’ve found potentially commercial reserves. Well they are already there, so there is precedent to continue.”

Look to Tikorangi and North Taranaki for the future this government wants for the country. Our fresh-faced Minister of Energy, Simon Bridges, could be mistaken for the taxpayer-funded PR spokesman for the petrochemical industry – in my opinion at least. In a move of wonderful irony, young Simon is also the Associate Minister for Climate Change Issues and doesn’t that speak volumes for what this government thinks of climate change? There is a Tui billboard moment for you. This is the Minister who didn’t know there was a 200 000 hectare pristine forest park in an area he put up for petrochemical exploration This is the Minister that refers to ecological issues as “emotive claptrap”.

This is the New Zealand the National Government sees as the way of the future. Industrialising the countryside. Climate change? Let others worry about that.

Motunui (photo by Fiona Clark)

Motunui (photo by Fiona Clark)