Why so grey, New Zealand? Each time we fly somewhere, Mark looks out the plane window and winces as he sees the sea of grey roofs. It is quite a while since we had to re-roof a house, but I assume roofing is available in other colours? It is not compulsory to roof in grey, is it?
As we drive around the countryside, he groans at the modern new builds which are pretty much grey. Grey walls and grey on the roof with grey paving. Fortunately, we lead such a non-suburban life that he rarely has to enter modern city suburbia or he may despair at the symphony in grey. I would not dare take him looking at carpet but again, the choice in carpet colours in this country these days is about 95% prison grey with a few options in mud.

The Australian version is at least in shades of warm sandstone
It is a cultural thing, this world of colour. We swung by a new suburban area near Canberra on our last visit. There the houses were all the colour of warm sandstone which seemed preferable to the cold grey of home.

Welcome to Italian suburbia
A day in modern suburban Italy was a revelation. This is Fiumicino near Rome airport. It is still suburbia but it is like an explosion of colour. All those flat planes of rendered plaster are painted. In colours other than grey. These are not even utility paint jobs. There are often different colours used and different paint finishes to add textural variation. It was a revelation to see a society where colour is part of daily life.

A choice of grey or black cars in the UK

Colour, colour everywhere in suburban Fiumicino
Even the cars in Italy were generally coloured. When driving in England, we took to photographing our rental car when we parked, to make sure we could find it again. Because, as Mark said, in the UK you can have any colour of car you like, as long as it is grey or black. We were looking at Tesla electric cars while travelling (because we are planning an electric car purchase at some stage). All Teslas were in grey or black until Mark got positively excited to tell me he saw a white one. I want my next car to be powder yellow.

It is a different world of colour
What is it with colour, I wonder? And I do not know. We live in a place with remarkably high sunshine hours and intense clarity of light. Where we are in Taranaki, there is some debate on exactly how many sunshine hours we get. The rate shot up when the measuring was automated a few years ago and despite having the machine retested and recalibrated, there still seems some anxiety about it. But even if we take a mid figure, we come out around 2400 hours a year. Compare that to London at 1400 hours pa and extremely sunny southern Europe at around 2800 hours pa and there is no doubt that we are on the high side as far as daily sunshine goes. We also have a bright clarity of light that is different to most of the rest of the world (and one of the highest rates of skin cancer as a result). You don’t get SAD (Seasonally Affected Disorder) due to low light and lack of winter sunshine in our neck of the woods.

In New Zealand, this building would likely be in two shades of grey
So why, oh why, do we want to surround ourselves with grey? I can not think that grey ever lifts the spirits, raises a smile or puts a spring into a step. Given that the dominance of grey and colour neutrals is not determined by either raw materials or climate here, it must be driven by cultural factors. We were not always so grey and restrained in this country yet somehow that colour has become synonymous with “good taste” and “contemporary modernity” here. And maintaining resale values. I bet a disproportionately large number of those modern grey houses have neutral *magnolia* walls indoors (aka half way between white and cream) with grey carpets.
I know we were on holiday in Italy and that always makes things appear different, but it is the sheer vibrancy and colour that is a part of daily life throughout much of southern Europe that makes me want to return, time and time again.







There is something wildly romantic about a proper bluebell wood. I have never forgotten being entranced by the haze of blue through woodlands near Castle Douglas in Scotland and that was more than two decades ago. Those particular bluebells and woodland trees are native to the area but this does not stop many of us trying to replicate the effect at home.
It took UK writer Ken Thompson to demystify bluebell differences for me. The English Hyacinthoides non-scripta has sweetly scented, deep blue flowers on a droopy spike which means most hang to one side. Individual flowers are narrow tubes with reflexed tips. The Spanish H. hispanica is much stronger growing with an upright spike and flowers radiating all round. There is a greater range of colour from pale to dark blues and lilacs along with the pinks and whites. Individual flowers are bell-shaped and while the tips of the blooms flare out, they don’t reflex. They have little scent.
A word about white or pink bluebells. While the English bluebell can occasionally throw a white mutant, given the rarity of H. non-scripta in this country, it seems likely that all colour variants we have are either Spanish or hybrids. The whites and pinks are charming mixed with the predominant blues, making a pretty scene. Isolate them out by colour on their own, and they become a novelty plant. Bluebells, by definition, should be mostly blue. A display of only pink bells would look awfully contrived for this simple flower while a mass of white bells might as well be onion weed, really. That is my opinion.



The environmental benefits of growing plants are perhaps a harder concept to sell to people who don’t see anything wrong with living in concrete jungles. But we ignore the evidence of declining insect populations and the loss of biodiversity at our peril. Our planet is hitting crisis point, fuelled by human ignorance.
It is not that the RHS are the only body leading public education in this area, but they are an influential one and all power to that.
The hunt dogs! Or hounds, I have just been informed (see reader comments below). Indubitably hounds. Out for a morning run on a Devon lane with their keepers on bicycles. Beautiful hounds, so very well trained and an interesting scene but still incomprehensible to me. English garden media personality and writer of steamy romantic novels, Alan Titchmarsh, may defend foxhunting on the grounds that it is, apparently, a traditional part of country life – country life, that is, as experienced by the toffs who cry ‘tally-ho’, not so much a traditional pursuit for the peasantry. But tradition alone is not a justification for anything, really.
The Devon roads can be notoriously narrow, though they are by no means alone in that. These roads can carry more traffic than the upgraded, single carriageway that passes by our place at home but there does not appear to be an uproar with loud demands that they be widened, straightened and allegedly made ‘safer’ for cars and trucks. It means drivers must be fully alert, dropping speed to meet the conditions, courteous and capable of backing up to the passing bays that are dotted along these roads. It is a very different ethos to the aggressive driving on New Zealand roads. If we were more defensive, tolerant and patient drivers, maybe our corner of the world would be a better place?
We went to south Devon to have another look at one of our all time favourite gardens – Wildside. More on this garden in a future post, but it is on the edges of Dartmoor. It rained on our day there, though fortunately it was not cold. There is a certain evocative gloom to the open moorland on a grey day with low light levels. Because I have always done my reading from across the world in New Zealand, the geographic location of different moors is hazy at best (though I think I have the heaths and heathers of Scottish moorland separated in my mind). I kept thinking of the likes of Daphne du Maurier but I see she set ‘Jamaica Inn’ on Bodmin Moor which is the next one down and Dartmoor belongs to ‘Hound of the Baskervilles’. But one can imagine this landscape with the bleak winds of winter blowing across it and it certainly has its own identity, including the roaming stock and lack of fencing.
While in the area, we headed over to see the RHS garden, Rosemoor. The original garden and accompanying land was gifted to the RHS by Lady Anne Berry, now a long-time resident of Gisborne. Lady Anne had been particularly kind to us in our earlier years so we were pleased to finally get to see Rosemoor. While the traditional rose garden left me unmoved, the rose and clematis combinations in the adjacent garden enclosure were a delight.
I make Mark pose for vanity photos beside what we call ‘Jury Plants’ as we come across them around the world. Part gentle boasting, part family record. In this case it is Phormium ‘Yellow Wave’, bred by his father Felix and one of the first generation of variegated flaxes for home gardens. He never received a cent for it (or a penny, as it would have been back then) and is rarely credited with it. It is not easy to keep good foliage on phormiums in New Zealand so Felix moved on to astelias and then clumping cordylines in his attempts to get an extended colour range into plants with this habit of growth and foliage. Eventually, this led to our Cordyline ‘Red Fountain’ but Phormium ‘Yellow Wave’ continues to hold some ground internationally.
Still at Rosemoor, the herbaceous plantings are terrific. If you are looking for a middle road between the traditional herbaceous border and the grassy new wave look of Oudolf, Stuart-Smith and New Perennials proponents, you probably end up with something closer to these Rosemoor beds and borders. Lots of vibrant colour and care with combinations, often quite tight colour toning but also lighter on plant options that need continual maintenance to keep them flowering and looking good. However, these are herbaceous plantings for large, public spaces, not so much for downscaling to the home garden. You can see more in the 